Susan Sontag
Susan Sontag
Susan Sontagwas an American writer, filmmaker, teacher and political activist. She published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include On Photography, Against Interpretation, Styles of Radical Will, The Way We Live Now, Illness as Metaphor, Regarding the Pain of Others, The Volcano Lover and In America...
NationalityAmerican
ProfessionAuthor
Date of Birth16 January 1933
CountryUnited States of America
clean compromise contradict cowardice embody ethics function gnawing heart intolerant invite moral neither nor principles professed secret society standard tells thinking turning utopian
The standard that a society should actually embody its own professed principles is a utopian one, in the sense that moral principles contradict the way things really are --- and always will be. How things really are --- and always will be --- is neither all-evil nor all-good but deficient, inconsistent, inferior. Principles invite us to do something about the morass of contradictions in which we function morally. Principles invite us to clean up our act; to become intolerant of moral laxity and compromise and cowardice and the turning away from what is upsetting: that secret gnawing of the heart that tells us that what we are doing is not right, and so counsels us that we'd be better off just not thinking about it.
bed blown constantly elsewhere extension fate hungry novelists perennial perhaps pieces reminded returned sheer surprised time unlikely visited
Perhaps it is our perennial fate to be surprised by the simultaneity of events, by the sheer extension of the world in time and space. That we are here, prosperous, safe, unlikely to go to bed hungry or be blown to pieces this evening, while elsewhere in the world, right now in Grozny, in Najaf, in the Sudan, in the Congo, in Gaza, in the favelas of Rio....To be a travelerand novelists are often travelersis to be constantly reminded of the simultaneity of what is going on in the world, your world and the very different world you have visited and from which you have returned home.
affect beat both clock dropping losing mode nod redundant safer seemed somewhere specific time
Somewhere in the nod we were dropping cargo. Somewhere in the nod we were losing infrastructure, losing redundant systems, losing specific gravity. Weightlessness seemed at the time the safer mode. Weightlessness seemed at the time the mode in which we could beat both the clock and affect itself, but I see now that it was not.
cope equally large people popular seemingly served threat twin
We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.
book course good high involved known largely money movies reason simple whether
Of course the movies are going to be the more visible, more high profile, for the simple reason that a lot more money is involved and this is a largely money-oriented society. ... Nevertheless, this is a very good book town, whether it's known to be that or not, and that's why you have something like this.
fantastic follow knowing priorities trying
It's fantastic knowing you're going to die; it really makes having priorities and trying to follow them very real to you.
answers destroy questions
The only interesting answers are those which destroy the questions
art artistic beauty decay durable extremely moral morality nowhere physical rapidly tendency
Unfortunately, moral beauty in art -- like physical beauty in a person -- is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.
hands way moral
Someone who is perennially surprised that depravity exists, who continues to feel disillusioned (even incredulous) when confronted with evidence of what humans are capable of inflicting in the way of gruesome, hands-on cruelties upon other humans, has not reached moral or psychological adulthood.
successful self feelings
Self-censorship, the most important and most successful form of censorship, is rampant. Debate is identified with dissent, which is in turn identified with disloyalty. There is a widespread feeling that, in this new, open-ended emergency, we may not be able to 'afford' our traditional freedoms.
american-author feminine men virile women
What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.
anxiety chronic crude cultural energy mainly resentment unleashed
American "energy." . . is the energy of violence, of free-floating resentment and anxiety unleashed by chronic cultural dislocations which must be, for the most part, ferociously sublimated. This energy has mainly been sublimated into crude materialism.
asthmatic bank beastly bleeding city close cosmic data fairly jungle neither nor printed
This city is neither a jungle nor the moon. . . . In long shot: a cosmic smudge, a conglomerate of bleeding energies. Close up, it is a fairly legible printed circuit, a transistorized labyrinth of beastly tracks, a data bank for asthmatic voice-prints.
admired generation novelist
the most influential and admired novelist of his generation in the Spanish-speaking world.