Sufjan Stevens
Sufjan Stevens
Sufjan Stevensis an American singer-songwriter and multi-instrumentalist. He first came to wider recognition with the 2000 album, A Sun Came, which was released on the Asthmatic Kitty label he co-founded with his stepfather. He is perhaps best known for his 2005 album, Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single "Chicago" from that album...
NationalityAmerican
ProfessionMusician
Date of Birth1 July 1975
CountryUnited States of America
dog thinking sick
I think of the saddest thing I can and then add a sick dog to that. If I think of a sick dog from the beginning, I just stop there.
thinking television musician
I think musicians should stay off television generally.
thinking people doe
I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.
home thinking guitar
I'm from the generation that's always been recording, from the very beginning. I learned to play the guitar on the four-track. I started listening to music at a time when people were doing recording at home, when the discussion about songwriting correlated to the discussion about producing and engineering. I think that's a description of my generation.
jobs emotional thinking
The music is the imperative. It has the upper hand. I think all music, even though it's an abstraction, does motivate a particular meaning. Then it's the job of the musician to honor that meaning and to somehow implement lyrical material that can accommodate that emotional environment.
thinking editing able
Pro Tools is an incredible resource. I think it's enabled me to do things that I wouldn't have been able to do without this kind of computer editing.
pain thinking suffering
Everyone suffers; life is pain; and death is the final punctuation at the end of that sentence, so deal with it. I really think you can manage pain and suffering by living in fullness and being true to yourself and all those seemingly vapid platitudes.
thinking hard-times listening
I'm always hearing music in terms of what I can take out of it, and I think I've always listened like that. I have a hard time just listening for pleasure. I'm much less about instinct, and more of a utilitarian listener.
real thinking drug
Some of my music requires an obsessive-compulsive approach and a real embodiment of excessiveness. So I really have to live in that world of overstimulation. Sometimes I think it's like a drug; more is more, and you can never get enough. The older I get, the more I crave that excessive aesthetic. It's never going to satisfy me.
song thinking space
I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
song thinking grieving
I think that music has always been restricted to media. The LP is an antiquated form, and the CD is now an antiquated form, and there's no sense grieving. Music is forever, there will always be songs. It's exciting that we're not limited to the media any more. I don't hold a precious view of my work, that it exists outside of social constructs or the confines of a platform.
thinking healthy information
The Internet is manic. It's very strange. I don't think it's healthy. They should outlaw posting comments! It's a bummer to go somewhere to get information or buy tickets and you encounter profanity everywhere you go.
song writing thinking
I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
thinking creating world
The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the U.S. I think there's a danger when you start creating a civilisation that isn't meant to last.