Sufjan Stevens
Sufjan Stevens
Sufjan Stevensis an American singer-songwriter and multi-instrumentalist. He first came to wider recognition with the 2000 album, A Sun Came, which was released on the Asthmatic Kitty label he co-founded with his stepfather. He is perhaps best known for his 2005 album, Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single "Chicago" from that album...
NationalityAmerican
ProfessionMusician
Date of Birth1 July 1975
CountryUnited States of America
basis exhaustion focusing folk forms interested maybe music patriotic people rock songs strong wonder
I do wonder if people aren't just interested in music that has meaning, ... Because there's been kind of an exhaustion through forms and genres, like rock and electronica, doing away with melodies, and I think maybe we're always interested in songs - folk songs, hymns. Whatever. Patriotic songs with strong melodies. It's kind of the basis of what I'm doing now, just focusing on traditional songwriting.
song have-faith albums
I no longer really have faith in the album anymore. I no longer have faith in the song,
song thinking space
I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
song thinking grieving
I think that music has always been restricted to media. The LP is an antiquated form, and the CD is now an antiquated form, and there's no sense grieving. Music is forever, there will always be songs. It's exciting that we're not limited to the media any more. I don't hold a precious view of my work, that it exists outside of social constructs or the confines of a platform.
song writing thinking
I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
song real writing
It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.
song believe play
I'm not beholden to the public, and neither are the public beholden to me or my songs. I'm very much of a populist on those terms, I believe that the song is no longer mine anyway. I like to process the dispossession that happens when you play something live. I don't have a clue as to how these songs are going to plan out, whether they're going to be on a record. I don't know yet.
challenge liked music punk released rock trying
I've been trying to challenge myself to be more explicit. I've always liked punk rock and Sonic Youth. I make that music privately, but I've never released it.
attitude great level puts respect
program. ''It puts us in the attitude of respect for our audience. I think it's important on every level to have a kind of attitude of unification in some way. . . . I don't really have that naturally. I'm not a great performer, so we have to do everything we can, do the exercises, to prepare.
casey
I think I get a lot of ideas from when I was a kid, listening to Casey Kasem's 'American Top 40.'
distressed public realm weirder
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
hard
I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young.
however
I come from a folk tradition where you just dance however you feel comfortable.
actual record taken
I'd like to do a record that doesn't even reference actual places. Because I think it's kind of an open-ended concept. It doesn't have to be taken so literally.