Sufjan Stevens
Sufjan Stevens
Sufjan Stevensis an American singer-songwriter and multi-instrumentalist. He first came to wider recognition with the 2000 album, A Sun Came, which was released on the Asthmatic Kitty label he co-founded with his stepfather. He is perhaps best known for his 2005 album, Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single "Chicago" from that album...
NationalityAmerican
ProfessionMusician
Date of Birth1 July 1975
CountryUnited States of America
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
I remember Detroit feeling really unsafe, feeling scared a lot. Our house was broken into, our car was stolen, we had to get a watchdog, we would get beat up in the street, I had my bike stolen. There was just a lot of real anarchy on the streets and sidewalks.
I feel like the Internet needs to be disarmed in some way. There needs to be a philosophical undermining of the Internet. We take it too seriously and too literally. For a reference we go to Wikipedia, which is full of inaccuracies and misinformation. It's kind of beautiful - it's all the product of imagination; it's not reality at all.
Some of my music requires an obsessive-compulsive approach and a real embodiment of excessiveness. So I really have to live in that world of overstimulation. Sometimes I think it's like a drug; more is more, and you can never get enough. The older I get, the more I crave that excessive aesthetic. It's never going to satisfy me.
If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?
An imaginary baby is so much easier than a real baby. No diapers to change.
It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.
I've been trying to challenge myself to be more explicit. I've always liked punk rock and Sonic Youth. I make that music privately, but I've never released it.
program. ''It puts us in the attitude of respect for our audience. I think it's important on every level to have a kind of attitude of unification in some way. . . . I don't really have that naturally. I'm not a great performer, so we have to do everything we can, do the exercises, to prepare.
I think I get a lot of ideas from when I was a kid, listening to Casey Kasem's 'American Top 40.'
I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young.
I come from a folk tradition where you just dance however you feel comfortable.
I'd like to do a record that doesn't even reference actual places. Because I think it's kind of an open-ended concept. It doesn't have to be taken so literally.
Pop music is so structured, and I'm excited to try and challenge that in my own work.