Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
Reality shows are all the rage on TV at the moment ... but that's not reality, it's just another aesthetic form of fiction.
Anytime you've got something that can take you into the political realm then you've opened up the conversation a lot.
A real litmus test for me is how people treat someone who is waiting on them. That's a dealbreaker for me.If I were on the verge of getting into a serious relationship and I saw that person be mean to a waiter... I'm out.
Reality shows are all the rage on TV at the moment, but thats not reality, its just another aesthetic form of fiction.
A real explosion is not only much more fun to shoot, it also helps the actors and creates an energy on set and ultimately in the scene.
American movie audiences now just don’t seem to be very interested in any kind of ambiguity or any kind of real complexity of character or narrative — I’m talking in large numbers, there are always some, but enough to make hits out of movies that have those qualities. I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
Is it inappropriate for the director of 'Ocean's Twelve' to go to Belpre, Ohio?
The technology is there. Consumers now want choice, and they should have it. At the very least, let's find out -- instead of speculating -- what it's going to mean in the long run and in the larger picture.
At the most basic level, it's a lot of free publicity.
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
I was at the Laundromat every Sunday, the one over across the (Belpre) bridge. I'd go to the Laundromat and then I'd have the chicken club at Wendy's.
We had a big night over there, where I destroyed Misty Wilkins in a game of straight pool. She was talking trash and we went over there and I beat her senseless.
I wanted to be as site-specific as possible. I said to each actor, 'I want you to talk about things you know about.' There's a screenplay but the goal was to incorporate as much of them into the characters as possible.
That line doesn't exist, ... It's all exploitation. I mean, it is if you're honest about it. You pick up a camera and point it at someone, you are exploiting them. I don't care who you are. The issue to me is what is the agreement between you and the person you are exploiting? But I know the experience we had in Ohio and how people on both sides of the camera felt. And that is what matters to me.