Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
There's a difference between failures and things that are bad.
I try to use other songs or bands as reference points - it seems like the easiest way to get across what are really differences of taste or opinion. If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
It's fun when you've asked the community for help ... you want to go back, at least let them see what the results were. We had a great time here.
I wanted to be as site-specific as possible. I said to each actor, 'I want you to talk about things you know about.' There's a screenplay but the goal was to incorporate as much of them into the characters as possible.
I want them to sell 'Bubble' DVDs in the theater lobby,
The biggest thing is people having access to the movie who might not have access to it for a while. They might have read about it and they're interested but they don't live near an art cinema, or they don't have a video store that carries this kind of stuff, and this way they can get it and get a hold of it as soon as they've heard about it.
That line doesn't exist, ... It's all exploitation. I mean, it is if you're honest about it. You pick up a camera and point it at someone, you are exploiting them. I don't care who you are. The issue to me is what is the agreement between you and the person you are exploiting? But I know the experience we had in Ohio and how people on both sides of the camera felt. And that is what matters to me.
At the most basic level, it's a lot of free publicity.
It's as much defined by the people who haven't gotten it as by the people who have,
I tried very hard not to disturb the cast. We designed the story to fit the town, ... incorporate much of their own lives into the story.
They're forcing the issue onto characters, ... force these people to be humiliated.
It's about love and jealousy, ... but in a place I don't think has ever been shown in a film before. Or not as it is.