Steven Price
Steven Price
trying way draws
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
complex fear harmonies incredibly primal
Fear is one of those really primal emotions which you don't want to have incredibly exciting modulations and complex harmonies and all that kind of stuff.
beatles danced full home house living main music player record rolling
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and we danced around the living room; that started me off on instruments, and I've done nothing else ever since.
films growing imagine loved might odd score sound time
When I was growing up, I loved the films where you'd start them and the score might sound really odd at first and really different, and then by the time you finish, you can't imagine it being any other way.
cut music percussion
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a lot of Hollywood-style percussion or brass, because that's the only thing that will cut through.
alone anyone days failing nail piano spent trying
It's true, most of my days are spent alone in a dark room! I don't really want anyone to see me trying and failing to nail the 40th take of a simple piano cue.
music proper response
Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what is proper and what's not.
might quite trying
I go into the whole composer thing quite open to keep on going and keep on trying different things because you never know... the next idea you have might be the one.
along composers felt filmmakers great music rather worked
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
running giving-up thinking
With the great people that you work with, it's that they're never giving up and they're never thinking something's finished until they've really, really run out of time. They keep pushing in case there's a better idea around the corner.
use texture records
I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.
piano house used
I'm a guitarist by background. That's what I used to do for sessions when I was younger and that sort of thing. We have several pianos in the house and I tend to just sit and fiddle around.
hate people score
A lot of composers I know hate temp scores because people get attached to them.
thinking support use
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.