Siri Hustvedt
Siri Hustvedt
Siri Hustvedtis an American novelist and essayist. Hustvedt is the author of a book of poetry, six novels, two books of essays, and several works of non-fiction. Her books include: The Blindfold, The Enchantment of Lily Dahl, What I Loved, for which she is best known, A Plea for Eros, The Sorrows of an American, The Shaking Woman or A History of My Nerves, The Summer Without Men, Living, Thinking, Looking, and The Blazing World. What I Loved and The...
NationalityAmerican
ProfessionNovelist
Date of Birth19 February 1955
CityNorthfield, MN
CountryUnited States of America
While reading 'David Copperfield' in the middle of the night - probably because of the light, I had insomnia for the first time - I looked out of the window and thought, 'If this is what books can do, this is what I want to do.'
Henry Miller is a famous writer whose work has fallen out of fashion, but I strongly recommend that readers who don't know his work pick up a book and experience this writer's zealous, crazy, inventive, funny, sexy, often delirious prose.
Great books are the ones that are urgent, life-changing, the ones that crack open the reader’s skull and heart.
The logic: Reading is a private pursuit, one that often takes place behind closed doors. A young lady might retreat with a book, might even take it into her boudoir, and there, reclining on here silken sheets, imbibing the thrills and chills manufactured by writerly quills, one of her hands, one not absolutely needed to grip the little volume, might wander. The fear, in short, as one-handed reading. [p. 146]
A book is a collaboration between the one who reads and what is read and, at its best, that coming together is a love story like any other.
I love making up visual works of art in language. I get to be an artist without actually being an artist in that sense.
I knew I wanted to be a writer at 13. Before that, I told everyone I was going to be an artist.
I like 'nerves'! I like the word 'migraineur'. I like the word 'madness'. These are OK words. The 19th century had a very handy term: 'neurasthenic'. I think that's a very useful word. We all know what that means: it means extra-sensitive.
The mind-brain is lived only from a first-person perspective, and it is a dynamic, plastic organ that changes in relation to the environment.
Writers are in control of editing processes - making a sentence better, cutting out a paragraph. But the initial outpouring has very little to do with conscious control or manipulation.
We all live in a culture that is continually isolating feminine and masculine aspects, even when they're not related to people.
Flashbacks rarely involve language. Mine certainly didn't. They were visual, motor, and sensory, and they took place in a relentless, horrifying present.
Far more women read fiction than men, and because of this, novels have become marginalised as serious texts.
Every time the DSM prepares for a new edition, there are countless groups lobbying to get their particular mental illness recognized by the diagnostic manual. Surely, this is a social and cultural phenomenon.