Simon McBurney
Simon McBurney
Simon Montagu McBurney, OBE is an English actor, writer and director. He is the founder and artistic director of the Théâtre de Complicité, London. He has had roles in the films The Manchurian Candidate, Friends with Money, The Golden Compass, The Duchess, Robin Hood, Harry Potter and the Deathly Hallows: Part 1, Tinker Tailor Soldier Spy, Magic in the Moonlight, The Theory of Everything and Mission: Impossible – Rogue Nation...
NationalityEnglish
ProfessionActor
Date of Birth25 August 1957
powerful mean thinking
When you make something, if you are a painter or a writer, a degree, or a sculptor or whatever or a musician, a degree of energy is required to make it, and I'm not sure that it is always aggressive, but when you have a great deal of energy it can appear to be more aggressive than it is. In fact, I mean you can talk about a waterfall being aggressive, but in fact it is just a very powerful forward movement of energy, and although I think sometimes my engine house is a kind of anger.
thinking theatre pieces
Every time I make, I've made a piece of work, I've wanted to get rid of it, obliterate it and do the next thing, because it was never quite what I wanted. I think the moment you think you've arrived is the moment that you should stop.
thinking voice desire
I think it was a desire to be able to find my own voice. I think that was the big urge within me.
instead projected says written
I sometimes feel I would like to do crazy things with 'Endgame,' where someone says something, but the words, instead of being spoken, are written words projected out of their mouth.
beautiful constantly fires follow opera singers sort touching unlike whatever willing
The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.
decide element gives life narrative reflect
'Endgame' resists narrative and even thematic explanation. How you play it has to reflect this. If you decide something too much in advance, you forget the element that gives the play life - the audience.
asks beckett hopeful strips surgical
There's something hopeful about 'Endgame.' Beckett strips everything away and asks what remains. There's this surgical dissection of the soul, but at the bottom, you find shafts of light.
close death people purely various
I've had various people close to me die, and I don't necessarily find the idea of death purely depressing.
music musical passionate
I'm passionate about music, and I feel that theatre has an extraordinarily musical ability in the way it operates on the audience.
bad kid mathematics worked
I was very bad at mathematics in school, and I always had the feeling as a kid that when I worked on problems, that I would be wrong.
I was keen to stage 'Faust,' although I find Goethe's 'Faust' indigestible.
experience intensity interested provides suppose
I suppose I'm really interested in theatre that provides an intensity of experience on another level.
brought felt home
I have always felt more at home in a culture that has nothing to do with the one I was born and brought up in.
streets
I feel that if you can play on the streets or in a comedy club, then in a theatre it's a doddle because you've got an audience.