Seth

Seth
Seth; placed; appointed"), in Judaism, Christianity, Mandaeism, and Islam, was the third son of Adam and Eve and brother of Cain and Abel, who were the only other of their children mentioned by name in the Tanakh. According to Genesis 4:25, Seth was born after Abel's murder, and Eve believed God had appointed him as a replacement for Abel...
NationalityCanadian
ProfessionCartoonist
Date of Birth16 September 1962
CountryCanada
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When you focus on delighting an audience you care about, you strip the masses of their power.
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Massive numbers of vaccines would be needed and companies are concerned, 'who's going to pay for that,'
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You may not see massive UFO exhibits at your local science museum, but there's no dearth of saucer stories infesting my email. Every day, I receive several reports of alien sightings, extraterrestrial plans for Earth, and agitated screeds about the reluctance of scientists to take the whole subject seriously.
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Admittedly, it would take industrial-grade chutzpah and a massive dose of malevolence for anyone to bulldoze the spot where Neil Armstrong stepped off the Eagle lander. But even innocent visits could be damaging.
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Today's voguish threats, including climate change, population growth, massive war, and resource depletion, are all amenable to a fix if we act prudently. And even if we don't, these problems are incapable of obliterating all of humanity, let alone destroying the Earth. No, the real End of Days will happen slowly, as the Sun ages.
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I build quantum computers that store information on individual atoms and then massage the normal interactions between the atoms to make them compute.
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You are far more likely to do your best work if you are willing to delight a few as opposed to soothe the masses.
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Don't create for the masses. Create for the people who are your kind of weird.
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When I started out in the eighties, the idea of creating serious comics for adults was pretty laughable to most folks, and for the longest time it was hard to even explain what alternative comics or graphic novels were. Nobody seemed to understand or care. Not so, any longer.
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I've certainly seen a lot of my cartoonist friends embrace 'Little Lulu' in a much deeper way because their kids love it so much. But that's not gonna be happening for me. There are no kids coming.
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As I get older and I see all my friends starting to have children, I see them have different reactions to the material that was probably not of great interest to them when they were younger, because they're re-experiencing it through their kids.
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You look at most artists, the arc of their career, there's a definite decline at the end. And that decline could set in at any time. In your 50s, or your 60s and 70s if you're lucky. Time goes by fast, and you've got to be busy all the time.
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I don't think it's a coincidence that comic books appeal so strongly to children. Not that it negates any of their power for adults, but there is something about comics that makes them a perfect storytelling system for children.
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For me, the very last great strip is 'Peanuts.' After 'Peanuts,' there are a very few strips that I enjoyed for different reasons, but I don't think they were great. I don't think anything's come along since Charles Schulz - and I mean since 1950 - that I think rises above the professional or the eccentric into that realm of greatness.