Sarah Vowell
Sarah Vowell
Sarah Jane Vowellis an American author, journalist, essayist, social commentator and actress. Often referred to as a "social observer," Vowell has written seven nonfiction books on American history and culture. She was a contributing editor for the radio program This American Life on Public Radio International from 1996 to 2008, where she produced numerous commentaries and documentaries and toured the country in many of the program's live shows. She was also the voice of Violet in the animated film The...
NationalityAmerican
ProfessionNon-Fiction Author
Date of Birth27 December 1969
CityMuskogee, OK
CountryUnited States of America
If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.
A couple of times he called the second he'd finished reading a novel and just had to tell me about it, and I know it sounds hokey and librarianish to say so, but I just swooned when he did that.
The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldn’t have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out ‘It’s a Small World After All,’ flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren
So much of broadcasting hasn't really noticed that Watergate happened, that no one takes the voice of authority seriously anymore.
I'm still definitely a journalist, so I work fast. And only with a gun to my head.
One reason I couldn't sustain myself as a music critic was just that I was never one of those record collector people who cared about every little thing about a band, who can't wait to see what record comes out every week, ... For me, it was always more obsessive. I could listen to the same Jonathan Richman song over and over again. I came at it as a fan, but not a 'follow the beat' kind of fan. I was interested in how people would listen to music rather than the music itself.
I make my living half as a critic, so I think that opinionated would be a good thing for a critic to be. And I think crankiness has some sort of connotation of individualism,
It's only been recently that I've become semi-convinced that you can (earn a living as a writer).
The basic reaction from students is relief that they're made to read something that isn't totally dull, uppity or dreary, ... They think my writing is vaguely entertaining, which I guess a lot of their homework isn't. As Ira says, when people say This American Life is the 'coolest show on public radio' is like being called the 'coolest Osmond.' It doesn't mean that much when you're the most entertaining homework.
It was such a great time for music. Being in college radio in the '80s, R.E.M. just happened, Elvis Costello was going strong. The biggest, most famous Seattle band was the Young Fresh Fellows. Our town was halfway between Seattle and Minneapolis on I-90, and so we got tons of shows just by virtue of being the gas-money stop on I-90.
The one time I was an actor, it happened to be in a globally dominant juggernaut. That was lucky.
I was a big Nancy Drew reader. Nancy figures it out. Case closed.
I seem to have no problem revealing my crush on the man who murdered Lincoln.
We go in to liberate Cuba, but Cuba still isn't free; we don't really think through what we'll do after the initial treaty is signed, but we're still occupying. There's chaos and torture and finally an outcry.