Sarah MacLean
Sarah MacLean
Sarah MacLeanis a New York Times bestselling American author of young adult novels and romance novels. Her first adult romance novel, Nine Rules to Break When Romancing a Rake debuted on the New York Times Bestseller List, where it stayed for four weeks. Since February 2014, MacLean has written a monthly romance novel review column for The Washington Post. She is a two-time winner of the Romance Writers of America RITA Award for Best Historical Romance for A Rogue by...
NationalityAmerican
ProfessionAuthor
Date of Birth17 December 1978
CountryUnited States of America
Boring heroines are, in my opinion, the most common romance mistake. We loathe hanging out with women who define themselves purely through their relationships... why would we want to read about them?
Here's the thing about romance novels: The moment when the hero and heroine discover that they're perfect for each other is often the moment when it's them against the world.
No doubt, much of the joy of a great romance is the moment when these stoic heroes crack open and reveal themselves to their heroines - the only women strong enough to match them.
In books by women and for women, it should come as no surprise that heroines are the heroes of the action, finding themselves, their power and their future through love.
At the heart of every successful romance novel lies the evolution of its characters. Through love, heroes and heroines grow not only into a perfect match, but into stronger, better, more admirable people.
That first meeting - the one where the hero and heroine start the slow burn that takes the whole story to turn into true love - is the single most important part of the whole book. Nail it, and you've won yourself readers.
There is perhaps no more rewarding romance heroine than she who is not expected to find love. The archetype comes in many disguises - the wallflower, the spinster, the governess, the single mom - but always with one sad claim: Love is not in her cards.
Gone are the days when heroes are emotionally locked away from the world until the end of the book, and thank goodness for that. Modern romance heroes are more complex than ever.
Even as she’d come to know the real Ralston—the Ralston who was not cut from heroic cloth—Callie had failed to see the truth. And, instead of seeing her own heartbreak coming, she had fallen in love, not with her fantasy, but with this new, flawed Ralston.
It didn’t matter the quality of the writing— Callie’s fantasies about her fictional heroes were entirely democratic.
In fiction, as in real life, love might inspire acts that are at best foolish and at worst life-threatening, but in the best romances, love is the final, secret ingredient that turns mere mortals into heroes and heroines.
Like so many others, I came to romance during the golden age of it - Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn't be a romance novelist.
I'm so thrilled to have won the RITA. The award is particularly special because it is given by other romance authors. It's deeply rewarding and not a little humbling to be honored by such a talented tribe of writers.
I never met Colleen McCullough; if I had, I probably would have cried and made a fool of myself.