Sarah MacLean
Sarah MacLean
Sarah MacLeanis a New York Times bestselling American author of young adult novels and romance novels. Her first adult romance novel, Nine Rules to Break When Romancing a Rake debuted on the New York Times Bestseller List, where it stayed for four weeks. Since February 2014, MacLean has written a monthly romance novel review column for The Washington Post. She is a two-time winner of the Romance Writers of America RITA Award for Best Historical Romance for A Rogue by...
NationalityAmerican
ProfessionAuthor
Date of Birth17 December 1978
CountryUnited States of America
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Truth is irrelevant. What is relevant is whether or not they believe it." The logic in the words grated. "The first rule of scoundrels?
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You are beautiful and brilliant and bold and so very passionate about life and love and those things that you believe in. And you taught me that everything I believed, everything I thought I wanted, everything I had spent my life espousing--all of it...it is wrong. I want your version of life...vivid and emotional and messy and wonderful and filled with happiness. But I cannot have it without you.
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The most confident of women are those who believe in every scrap of fabric they wear. They are the ones who are as happy wih their drawers as they are with their gowns. You can tell the difference between a woman who wraps herself in beautiful silks and satins and she who wears...otherwise.
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Juliana?” the words were low and far—too calm for her husband, who had found that he rather enjoyed the full spectrum of emotion now that he had experienced it. “Yes?” “What are you doing twenty feet in the air?” “Looking for a book.” “Would you mind very much returning to the earth?” “What are you thinking, climbing to the rafters in your condition?” “I am not an invalid, Simon, I still have use of all my extremes.” “You do indeed—particularly your extreme ability to try my patience—I believe, however, that you mean extremities.
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Boring heroines are, in my opinion, the most common romance mistake. We loathe hanging out with women who define themselves purely through their relationships... why would we want to read about them?
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Like so many others, I came to romance during the golden age of it - Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn't be a romance novelist.
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I'm so thrilled to have won the RITA. The award is particularly special because it is given by other romance authors. It's deeply rewarding and not a little humbling to be honored by such a talented tribe of writers.
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Here's the thing about romance novels: The moment when the hero and heroine discover that they're perfect for each other is often the moment when it's them against the world.
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No doubt, much of the joy of a great romance is the moment when these stoic heroes crack open and reveal themselves to their heroines - the only women strong enough to match them.
I never met Colleen McCullough; if I had, I probably would have cried and made a fool of myself.
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Even in 2014, when romance heroes are as varied as their genre, somewhere in them you can still always find the alpha male.
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Critics seem to forget that every love story is different - that there is uniqueness in even the most commonplace of matches.
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By the time I was 10 or 12, I had discovered the lure of the romance genre - and the dusty copy of 'The Thorn Birds' on my parents' bookshelf.
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Teenagers are asking, 'Who am I?' and 'How do I fit in?' in every aspect of their lives, and the best YA romances appreciate that there is more to a teen's life than finding love.