Saoirse Ronan
Saoirse Ronan
Saoirse Una Ronan is an Irish-American actress. She is a two-time Academy Award nominee; receiving Best Supporting Actress nomination for Atonement, and a Best Actress nomination for Brooklyn. She also received three BAFTA Award nominations, two Golden Globe nominations, two Screen Actors Guild nominations and two Satellite Award...
NationalityIrish
ProfessionMovie Actress
Date of Birth12 April 1994
CityNew York City, NY
CountryIreland
I remember being on Atonement and it felt very right to be there. There was so much excitement every day. I remember very vividly how it felt to be a child on a film set, and that is actually really important to hold on to for as long as you continue to make films.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
I don't think you could get anything worse than losing a child. I think if my child died, I would prefer it if I were dead.
I think if my child died I would prefer it if I were dead.
I've never really felt like I was a child actor. Just an actor who happened to be quite young.
I will always have a child in me. That is what Pete [Jackson] has got, what a lot of the directors I have worked with have. It is about knowing how to have fun and that is something I always want to hold on to.
I would never want to move to L.A.
With stores like Topshop and H&M you can find really great stuff, but I do like designer things as well, and I'm lucky because they approach me to wear their stuff. I really love Miu Miu.
I was actually born in New York. We lived there until I was three so I grew up watching Sesame Street and hearing the accent. You are a sponge at that age, soaking everything up.
I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
When I can't get the character out of my head, and I'm in my bedroom and I start to actually act out the scenes that I've read in a script, I think okay, I really want to do this.
There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
I think I do believe in the afterlife; I have heard stories from people who I can completely trust that have seen ghosts.