Sam Keen

Sam Keen
Sam Keenis an American author, professor, and philosopher who is best known for his exploration of questions regarding love, life, religion, and being a man in contemporary society. He also co-produced Faces of the Enemy, an award-winning PBS documentary; was the subject of a Bill Moyers' television special in the early 1990s; and for 20 years served as a contributing editor at Psychology Today magazine. He is also featured in the 2003 documentary Flight from Death...
NationalityAmerican
ProfessionAuthor
CountryUnited States of America
In a way, human beings have never been part of the natural order; we're not biological in the normal sense. Normal biological animals stop eating when they're not hungry and stop breeding when there is no sense in breeding. By contrast, human beings are what I think of as "biomythic" animals: we're controlled largely by the stories we tell. When we get the story wrong, we get out of harmony with the rest of the natural order. For a long time, our unnatural beahvior didn't threaten the natural world, but now it does.
Human beings are what I think of as "biomythic" animals: we're controlled largely by the stories we tell. When we get the story wrong, we get out of harmony with the rest of the natural order.
The abyss beyond our beliefs is something we have to pass through in order to see the world anew, to see it in terms not dictated so much by our culture, our parents, or our religious convictions.
There are two questions a man must ask himself: The first is 'Where am I going?' and the second is 'Who will go with me?' If you ever get these questions in the wrong order you are in trouble.
We come to love not by finding a perfect person but by learning to see an imperfect person perfectly.
Love isn't finding a perfect person. It's seeing an imperfect person perfectly.
We come to love not by finding a perfect person, but by learning to see an imperfect person perfectly
Call it ""womb awe"" or even ""womb worship"" but it's not simple envy. I don't remember even wanting to be a woman. But each of the three times I have been present at the birth of one of my children, I have been overwhelmed by a sense of reverence... It was quite suddenly, the first day of creation; the Goddess giving birth to a world... Like men since the beginning of time I wondered: What can I ever create that will equal the magnificence of this new life?
I think we're always in the process of writing and rewriting the story of our lives, forming our experiences into a narrative that makes sense. Much of that work involves demythologizing family myths and cultural myths - getting free of what we have been told about ourselves.
I think there are families that are very kind and supportive of people's ability to change. People who come from such families may go through life without dipping into the dark night.
I think it's increasingly hard to have deep self-knowledge without entering the darkness in some way.
When you genuinely lose your illusions, you begin to marvel at things, because you don't have the answers any more.
At thirty I lived in a world where death wasn't immediately real; it was always something "out there." My deeply held illusions of immortality - a product of my very conservative religious upbringing - were still pretty much intact.
There is the extreme of hopelessness and the inevitability of doom, a deep despair that comes from the sense that our industrial, consuming society is jeopardizing the planet.