Said Sayrafiezadeh
Said Sayrafiezadeh
Saïd Sayrafiezadeh is an American memoirist and fiction writer living in New York City. He won a 2010 Whiting Award for his memoir, When Skateboards Will Be Free. His short-story collection, Brief Encounters With the Enemy, was short-listed for the 2014 PEN/Robert W. Bingham Prize for debut fiction. He serves on the board of directors for the New York Foundation for the Arts...
NationalityAmerican
ProfessionPlaywright
CountryUnited States of America
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I have to expend an awful lot of energy actively undoing the impact of my name. Understandably, people assume that I have at least some connection to Iran. The truth is that I don't. I have very little knowledge about the culture, the language, the history. I've never been to Iran. I've never even been inside a mosque.
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The difference between our family and other poor families was that my mother actively chose to be poor. She was highly literate, and she had a college degree, but after my father left, she took the first secretarial job she could find and never looked for other employment again.
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I wake when my wife wakes, at 7:30 A.M. I'd like to sleep longer, but she has to go off to work, and I'd be plagued with guilt.
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
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In many ways I'm similar to Barack Obama, who also has a strange name but was raised by a white American mother. His background is far more complicated than his name would suggest. Furthermore, the fact that I was a child during the hostage crisis has caused me to equate being Iranian with being alienated.
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I was born in Brooklyn and raised in Pittsburgh. I've never been to Iran, I don't speak the language, and, probably most important of all, my Iranian father left home when I was nine months old. That's the extent of my connection to Iran.
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My childhood was defined by my father's absence. His presence looms so large. Up until the age of 18, he was a superstar for me.
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My characters are not underachievers; they aspire to great things, but they are limited by the world around them.
work
I work in the most non-Communist job. I work for 'Martha Stewart Living.'
I feel more Jewish than I do Iranian.
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I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.
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There was something so immensely redemptive and exciting for me to imagine that my unknown father was not just a man who had abandoned me but a noble man of adventure who had no choice.
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The year the bus drivers went on strike in Pittsburgh, I was twenty-three and living on the edge of the city in a neighborhood that was on the verge of becoming a ghetto. I had just been fired from a good job as a cartographer in a design studio where I had worked for about four months.
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Stasis is something that has marked my life since I was a boy growing up in Pittsburgh with my mother. It was the natural state that we existed in. For one thing, she suffered from a debilitating depression throughout my childhood, and depression is nothing if not static.