Ron Perlman
Ron Perlman
Ronald N. "Ron" Perlmanis an American actor and voice actor. He is best known for his roles as Vincent in the television series Beauty and the Beast, as the comic book character Hellboy in both 2004's Hellboy and its 2008 sequel Hellboy II: The Golden Army, and as Clay Morrow in television series Sons of Anarchy. His most recent work was as the character "Rust" from Overkill Software's video game PAYDAY 2...
NationalityAmerican
ProfessionMovie Actor
Date of Birth13 April 1950
CityNew York City, NY
CountryUnited States of America
I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.
I've had biker clubs reach out to me whenever they knew I was in their city.
You do what you gotta do. This is not heart surgery. I'm not curing cancer. I'm just trying to put my kids through school.
Somebody who doesn't care if they live or die is the most dangerous human being on earth.
The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.
I've never been pigeonholed and I've experienced so many different kinds of skin - what man will do and won't do, what you should do and shouldn't do. This is what's exciting about being an actor; where philosophy majors sit in classrooms or write books about human behavior, we're actually acting them out in front of cameras.
So much of my aesthetic was formed by my dad.
Season 4 can be deadly for a show that's been a hit show.
It's really disgusting what Hollywood can do to a guy.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
Let me put it this way: I definitely need to understand the villains I play. The best cause pain to anesthetize themselves against their own pain.
Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.