Roger McGuinn
Roger McGuinn
James Roger McGuinn /məˈɡwɪn/ known professionally as Roger McGuinn and previously as Jim McGuinn, is an American musician. He is best known for being the lead singer and lead guitarist on many of the Byrds' records, and is a very influential pioneer guitarist. He is a member of the Rock and Roll Hall of Fame for his work with the Byrds...
NationalityAmerican
ProfessionGuitarist
Date of Birth13 July 1942
CityChicago, IL
CountryUnited States of America
I think Wilco is going to definitely stand the test of time - no question - and Uncle Tupleo, and the whole No Depression scene, which is now alt-country. I think that's going to be around a long time.
To me, being in the big time is not that big of a deal. I've been there; I know what it is. It's exciting, but it's also a lot of work and pressure. I love sort of flying under the radar where we can play theaters and sell CD's on the Internet, and it's really kind of a cool time.
The original Byrds were very much Beatles-influenced, and then we gradually got our own sound. We started mixing things together more.
I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.
I'd like to be remembered as a keeper of the flame who kept traditional music alive, because I've been doing that twice as long as I was in the Byrds.
I love being on the sea and the rolling of the ship, and for me, it's not really happening until we get a little wave action going, I love that feeling.
One of my favorite albums is Bob Gibson and Bob Camp, 'At the Gate of Horn.' It was a really dynamic album, almost like The Beatles, and way before its time... around 1960 or so.
My favorite guitar now is my Martin HD-7 because it's got everything. It's got the jingle-jangle thing from the twelve string, it's got the flexibility of the six string, and the bass notes where you can do bass runs and that sort of thing.
I was raised a Roman Catholic and had to go to the eight o'clock Mass every morning and have communion and wear a tie, kind of like a restricted life style. Then in the '60s, we got wild and let it go and started looking in other places to see where God really was, and I came back to the Christian thing.
I went to the south side of Chicago and got what I thought was a Stella, but it had a spruce top. It was a nice sounding guitar.
I think the Internet is an awful lot like FM radio was when it broke out in the late '60s. It's kind of a wild and wily kind of format. They could play 20 songs in a row that had the word 'blue' in them, or whatever they wanted to do.
I think the good thing about the Internet is to give something away and to sell something else. Get a business model like that because the old brick and mortar record stores are falling apart, and the big record companies are collapsing under their own weight.
People have told me that other artists have been influenced by my music, and it's flattering. It's a wonderful thing.
I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.