Roger Ebert
Roger Ebert
Roger Joseph Ebertwas an American film critic and historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. As of 2010, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews...
NationalityAmerican
ProfessionJournalist
Date of Birth18 June 1942
CityUrbana, IL
CountryUnited States of America
[D]oes the real world have any more substance than visions and hallucinations when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
Resentment is just a way of letting someone else use your mind rent-free.
Most people choose movies that provide exactly what they expect, and tell them things they already know. Others are more curious. We are put on this planet only once, and to limit ourselves to the familiar is a crime against our minds.
The problem with being sure that God is on your side is that you can't change your mind, because God sure isn't going to change His.
Wes Anderson's mind must be an exciting place for a story idea to be born. It immediately becomes more than a series of events and is transformed into a world with its own rules, in which everything is driven by emotions and desires as convincing as they are magical.
We are put on this planet only once, and to limit ourselves to the familiar is a crime against our minds.
Not only can I not describe the plot of this movie, but I have a feeling the last scene reverses half of what I thought I knew (or didn't know).
At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.
What am I to think when six weekends of this year already have been won by slasher movies that were not screened for critics and got bad ratings on the tomato meter when they were screened?
There was a bedrock of respect that developed over the years,
Seeing the film over and over again, year after year, I find it never grows over-familiar. It plays like a favorite musical album; the more I know it, the more I like it.
The secret of the movie is that it doesn't strain to draw parallels with current world events - because it doesn't have to.
The target audience didn't care that we hated those movies because they just expected us to hate them.
As someone who admired the freshness and energy of the earlier films, I was amazed, at the end of 'Episode II,' to realize that I had not heard one line of quotable, memorable dialogue.