Roger Ebert
Roger Ebert
Roger Joseph Ebertwas an American film critic and historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. As of 2010, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews...
NationalityAmerican
ProfessionJournalist
Date of Birth18 June 1942
CityUrbana, IL
CountryUnited States of America
Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.
Nothing could be more boring than an absolutely accurate movie about the law.
It is an interesting law of romance that a truly strong woman will choose a strong man who disagrees with her over a weak one who goes along. Strength demands intelligence, intelligence demands stimulation, and weakness is boring. It is better to find a partner you can contend with for a lifetime than one who accommodates you because he doesn't really care.
Not only can I not describe the plot of this movie, but I have a feeling the last scene reverses half of what I thought I knew (or didn't know).
At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.
What am I to think when six weekends of this year already have been won by slasher movies that were not screened for critics and got bad ratings on the tomato meter when they were screened?
There was a bedrock of respect that developed over the years,
Seeing the film over and over again, year after year, I find it never grows over-familiar. It plays like a favorite musical album; the more I know it, the more I like it.
The secret of the movie is that it doesn't strain to draw parallels with current world events - because it doesn't have to.
The target audience didn't care that we hated those movies because they just expected us to hate them.
As someone who admired the freshness and energy of the earlier films, I was amazed, at the end of 'Episode II,' to realize that I had not heard one line of quotable, memorable dialogue.
His career can be summed up as the case of a man who needed a financial manager.
Gene was a lifelong friend and our professional competition only strengthened that bond, ... He showed great bravery in the months after his surgery, continuing to work as long as he could.
The prevailing style in the mainstream is represented by Michael Bay. This is shorter and shorter takes and less and less dialogue.