Roger Ebert

Roger Ebert
Roger Joseph Ebertwas an American film critic and historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. As of 2010, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews...
NationalityAmerican
ProfessionJournalist
Date of Birth18 June 1942
CityUrbana, IL
CountryUnited States of America
Of all the arts, movies are the most powerful aid to empathy, and good ones make us into better people.
Political correctness is the fascism of the 90's, it is this rigid feeling that you have to keep your ideas and your way of looking at things within very narrow boundaries or else you'll offend someone. Certainly one of the purposes of journalism is to challenge just that way of thinking, and certainly one of the purposes of criticism is to break boundaries, that's also one of the purposes of art.
All good art is about something deeper than it admits.
No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11. Such subjects overwhelm art.
Artists are rarely members of the popular crowd.
The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.
Film has become a marketed commodity, and the opportunities and audiences for art cinema have grown smaller. There is a general downturn in cultural literacy, perhaps because of television.
The secret of the movie is that it doesn't strain to draw parallels with current world events - because it doesn't have to.
There was a bedrock of respect that developed over the years,
The target audience didn't care that we hated those movies because they just expected us to hate them.
Seeing the film over and over again, year after year, I find it never grows over-familiar. It plays like a favorite musical album; the more I know it, the more I like it.
We had lots of big fights, ... We were people who came together one day a week to work together and the other six days of the week we were competitors on two daily newspapers and two different television stations. So there was a lot of competition and a lot of disagreement.
I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do.
What am I to think when six weekends of this year already have been won by slasher movies that were not screened for critics and got bad ratings on the tomato meter when they were screened?