Roger Ebert
Roger Ebert
Roger Joseph Ebertwas an American film critic and historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. As of 2010, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews...
NationalityAmerican
ProfessionJournalist
Date of Birth18 June 1942
CityUrbana, IL
CountryUnited States of America
You can't just tell actors, especially young ones, to 'act happy' and expect them to do it. They must in some essential way be happy.
Most of us do not consciously look at movies.
It often strikes me that the actors in high school movies look too old.
We don't have a lot of class-conscious filmmaking.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
Marlon Brando is the most influential movie actor of the century.
The reason (Burton) wanted to make 'Ed Wood' is that Ed Wood had so much fun making movies. And that's where Ed Wood and Tim Burton connect. Tim Burton makes films that are a lot better, but he doesn't make them with any more love.
We had lots of big fights, ... We were people who came together one day a week to work together and the other six days of the week we were competitors on two daily newspapers and two different television stations. So there was a lot of competition and a lot of disagreement.
I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do.
Not only can I not describe the plot of this movie, but I have a feeling the last scene reverses half of what I thought I knew (or didn't know).
At three hours it is even operatic in length, as its themes unfold, its characters strive against the dying of the light, and the great wheel of chance rolls on toward them.
What am I to think when six weekends of this year already have been won by slasher movies that were not screened for critics and got bad ratings on the tomato meter when they were screened?
There was a bedrock of respect that developed over the years,
As someone who admired the freshness and energy of the earlier films, I was amazed, at the end of 'Episode II,' to realize that I had not heard one line of quotable, memorable dialogue.