Robert Gottlieb
Robert Gottlieb
Robert Adams Gottliebis an American writer and editor. From 1987 to 1992 he was the editor of The New Yorker...
NationalityAmerican
ProfessionWriter
Date of Birth29 April 1931
CountryUnited States of America
ballet combining dancer dialogue disastrous founding mess sometime terrible vegas
Melissa Barak, an ex-City Ballet dancer and sometime choreographer, has put together an unspeakably dopey and incompetent mess called 'Call Me Ben,' combining ultra-generic dance, terrible dialogue and disastrous storytelling, about the founding of Las Vegas by the gangster Bugsy Siegel, who insists, violently, on being addressed as 'Ben.'
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As ye sow, so shall ye reap. When a ballet company spends a lot of money on gimmicky pieces, it's stuck with them for a while - they have to earn their keep.
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The heart of the classical repertory is the Tchaikovsky-Petipa 'Sleeping Beauty,' and no ballet is harder to get right.
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One of the eternal mysteries of ballet is how untalented choreographers find backers for their work, and then find good dancers to perform in it. Is it irresistible charm? Chutzpah? Pure determination? Blackmail? Or are so many supposedly knowledgeable people just plain blind?
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The first time the Kirov ballet was seen in America was on Sept. 11, 1961. The ballet was 'Swan Lake.' The ballerina was Inna Zubkovskaya. The place was the old Met, on what must have been one of the hottest nights of the year, and there was no air-conditioning.
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What really matters is that 'Black Swan' deploys and exaggerates all the cliches of earlier ballet movies, especially 'The Red Shoes,' another tale of a ballerina driven mad and suicidal.
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What 'War and Peace' is to the novel and 'Hamlet' is to the theater, Swan Lake' is to ballet - that is, the name which to many people stands for and sums up an art form.
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Tolstoy may be right about happy and unhappy families, but in ballet, it works the opposite way: All good ballets are different from each other and all bad ones are alike, at least in one crucial respect - they're all empty.
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What guarantees - or at least semi-guarantees - good ballets is good choreographers, and they are thin on the ground.
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Yes, bad or mediocre ballets can be useful to the dancers and temporarily fun for the audience, but in the long run, the lowering of standards can only erode the art form we all love.
audiences august ballet city critics cut days dead droop early four ingenious repertory season september wake weeks
Ballet in September used to be dead as a dodo. Now, with City Ballet's ingenious decision to give us four weeks of repertory in the early fall, having cut down on the relentlessly long spring season when dancers, critics and audiences droop on the vine, we wake up after the dog days of August with something to look at.
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Ballet Hispanico is a mixture of ethnic, ballet, social, jazz - you name it, it's doing it. The company has been going strong for more than 20 years, and you can see why: It may not be refined, but it's full of beans.
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Ballet companies have their ups and downs, just like the rest of us.
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City Ballet remains a great company in perpetual artistic crisis.