Robert Altman
Robert Altman
Robert Bernard Altmanwas an American film director, screenwriter, and film producer. A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly stylized perspective unlike most Hollywood films. He is consistently ranked as one of the greatest and most influential filmmakers in history...
NationalityAmerican
ProfessionDirector
Date of Birth20 February 1925
CityKansas City, MO
CountryUnited States of America
as long as I last and as long as people allow me to do it.
It's a process that I don't believe in, ... And I don't think it's correct for my kind of films.
It's a variety show. We wrote it as we went along. As we were casting people, he was rewriting constantly. This guy's a genius. We deferred to each other. He's been in charge of himself and his show for 30 years and so have I. So we suddenly had a monster with two heads.
They tested it. And it tested a little more poorly than ours had, ... So they then gave it back to me with -- they said, 'Now here's some things we think you should do.'
The movies set the pattern, and these people have copied the movies,
And I said, 'No. You either give this film back to me, or you don't.' I said, 'I've gone through that, I've gone through all this collaboration process.' And they gave it back to me, and I finished the film and delivered it to them.
The Oscar for the films, it'd be nice. But I don't make those kind of films, and I don't think that will ever happen.
I've never had a big hit movie. "MASH" was probably the biggest. I don't make those kind of films, and I never have. I wish each one of them would just do billions of dollars worth of ticket sales, but they never do and they never will.
I was scared that no one would hire me. At that time, there was still a stigma attached to it. A big stigma. Actually, I think I was healthier after the operation than some people who have bypass surgery because I was completely cured. But when you mentioned "heart transplant," you got a very negative reaction. It triggered people's imaginations, and not in a good way.
Most of my films I call arena films. I deal with a confined area -- an arena -- and I try to cover every aspect of it.
We make too much of the good and too much of the bad.
If something works for you, you continue to do it. I did a bunch of pictures for 20th Century Fox when Alan Ladd was over there, but I set the budgets so low that they'd approve and I'd deliver the film. They would have no say in it, which is the kind of arrangement I liked.
They'll never give me an Oscar. And I sincerely, honestly don't care. I always turn up when I'm nominated and it would be nice to get one, but to win one would be bad luck. It comes with too much expectation. It would be the end.
All of my films deal with the same thing: striving, socially and culturally, to stay alive.