Robbie Robertson
Robbie Robertson
Jaime Royal "Robbie" Robertson, OC, is a Canadian singer-songwriter and guitarist best known for his work as lead guitarist and primary songwriter for The Band. As a songwriter, he is credited for "The Weight", "The Night They Drove Old Dixie Down", "Up on Cripple Creek", "Broken Arrow", "Somewhere Down the Crazy River", and many others. He has been inducted into the Canadian Songwriters Hall of Fame and was ranked 59th in Rolling Stone magazine’s list of the 100 greatest guitarists...
NationalityCanadian
ProfessionRock Singer
Date of Birth5 July 1943
CityToronto, Canada
CountryCanada
A lot of people from my generation can't write songs anymore, or it's really hard and it's an unpleasant experience. I don't feel that way at all.
I was a storyteller for The Band. It was never, 'Hey guys, here's a song about what happened to me.' I was always more comfortable writing fiction.
I try not to think the song to death. The main criteria is if it's working on an emotional level.
While I was there, I was just gathering images and names, and ideas and rhythms, and I was storing all of these things - which I didn't realize I was doing - but I was storing them all in an attic in my mind somewhere. And when it was time to sit down and write songs, when I reached into the attic to see what I was gonna write about, that's what was there.
It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable. ... Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass. ... Music should never be harmless. ... I remember from my earliest years, people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.
I've been really fortunate that I've been at a lot of critical crossroads in my musical journey. When I look back, there are some pretty interesting things to look at.
Think about the number of people who do film music, make records and have a Native American heritage - and I may be the only one on the list.
People think I left The Band and spoiled this whole thing, and that's not what happened. Nobody broke up The Band. Nobody ever said, 'That's it, we're done.'
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
Cowboys had guitars. And they sang country 'cause they lived in the country.
My mother told me when I was a toddler and in the crib that they would have music playing, and the thing when I lit up was boogie-woogie or something out of the Louie Jordan period of sometimes big bands, and then all kinds of things.
I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
Some bands today have the experience of really working together and honing their craft. And other bands are very much like, 'I just got a guitar for Christmas, let's start a band.' And you can hear the difference.