Rob Reiner
Rob Reiner
Robert "Rob" Reineris an American actor, writer, director, producer, and activist. As an actor, Reiner first came to national prominence with the role of Michael Stivic, son-in-law of Archie and Edith Bunker, on All in the Family. That role earned him two Emmy Awards during the 1970s. As a director, Reiner was recognized by the Directors Guild of Americawith nominations for the coming of age comedy-drama film Stand by Me, the romantic comedy When Harry Met Sally..., and the courtroom...
NationalityAmerican
ProfessionDirector
Date of Birth6 March 1947
CityNew York City, NY
CountryUnited States of America
I saw In the Cut and thought, 'My God, what an actor!' ... He has to make a strong impression, so we root for Jennifer to find her way back to him.
I've made movies that nobody saw initially, and then, all the sudden, people over the years pick up on it. Like 'Spinal Tap' and 'Princess Bride.'
I saw 'The Grand Budapest Hotel.' I liked it. I saw 'The Fault in Our Stars,' and I could see why young girls like it. But it dropped off like crazy in the second weekend. I liked 'Fed Up' - I love documentaries. I go to a lot of documentaries.
I gotta tell you I have never seen anybody with such grace under fire as Jennifer was. I mean I have such respect for her. I never saw somebody exhibiting the kind of strength that she had. There were times when what she was going through applied in scenes and she would allow that to happen, but for the most part, you have to separate those things and do your work, and so she was extraordinary.
The other side talks about being the party of diversity and the party of inclusion, ... And how do they figure this? This is what I want to know, except, unless they define diversity as two guys at the head of the ticket that are from two different oil companies.
You have to give people the pleasure of giving you.
To me, acting is like a party. It's like a fun thing to do. You don't have to worry. You don't have to agonize about anything.
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make movies about real people.
This isn't about Republicans or Democrats. It's about investing in our children.
It is the critical time period when the brain develops and grows to 90 percent of its adult size.
There's a lot of finger pointing to Hollywood, there's a lot of criticism, and I believe it's a little bit unbalanced. We're trying to take and be responsible.
This is the greatest support we could ever give to our troops because what we are trying to do is protect them from going into harm's way needlessly, ... There is no God-awful reason to go to war at this moment. There is no reason to rush into this war, and what we are trying to do is protect our troops from sending them into harm's way.
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone through or experienced.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.