Rick Riordan
Rick Riordan
Richard Russell "Rick" Riordan, Jr. is an American author known for writing the Percy Jackson & the Olympians series, which is about a twelve-year-old who discovers he is a son of Poseidon. His books have been translated into 37 languages and sold more than 30 million copies in the US. Twentieth Century Fox has adapted the first two books of his Percy Jackson series as part of a series of films. His books have spawned related media, such as graphic novels...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth5 June 1964
CountryUnited States of America
uncles sorry children
My dear children!" Nellie whopped him upside the head with her backpack. "Ow!" Uncle Alistair curled over, cupping his hand over his good eye. "Nellie!" Amy said. "Sorry," Nellie muttered. "I thought he was one of the bad guys.
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Sadie got up and kissed Amos on the forehead. “Leave it to us, Uncle. I’ve got a plan.” “That,” I said, “sounds like very bad news.
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Brother dear,” I said, “did your soul leave your body while Amos was talking, or did you actually hear him? Egyptian gods real. Red Lord bad. Red Lord’s birthday: very soon, very bad. House of Life: fussy magicians who hate our family because dad was a bit of a rebel, whom you could take a lesson from. Which leaves us—just us—with Dad missing, an evil god about to destroy the world, and an uncle who just jumped off the building—and I can’t actually blame him.” I took a breath. [Yes, Carter, I do have to breathe occasionally.]
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Your uncle," Poseidon sighed, "has always had a flair for dramatic exits. I think he would've done well as the god of theater.
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I loved the idea of making history interesting for kids! When Scholastic approached me about 'The 39 Clues', I immediately started going through the 'greatest hits' from my years as a social studies teacher, and picked the historical characters and eras that most appealed to my students.
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It's wonderful being an author and having so many kids enjoying my books. That's always been my dream job, and I feel very lucky to be able to do it.
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The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.
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Even if these stories are 3,000 years old, there's still so much about the characters, about the dilemmas, about their understanding of the universe that still resonates. The whole idea of order and chaos, which is really central to the ancient Egyptian understanding of the world, is still very much with us.
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Every child is different. I think it's important that we don't have maybe just one or two books that we're recommending to all children - but rather we cater the books to fit each individual child.
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The Web or card experience is not at all going to replicate the book experience, nor is the book experience going to replicate the Web.
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The older I get, the less I obsess about material stuff. In fact, stuff has become the enemy. There always seems to be more of it than I have storage in my house!
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As a teacher, I've never seen anything like 'Harry Potter.' That's why I smart when people talk about the 'next' 'Harry Potter.' There is no 'next' 'Harry Potter.'
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No one spoke in terms of children's literature, as opposed to adult literature, until around the 1940s. It wasn't categorised much before then. Even Grimm's tales were written for adults. But it is true that ever since 'Harry Potter' there has been a renaissance in fantasy literature. J. K. Rowling opened the door again.
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It seems like just yesterday my son was hiding under the table to avoid reading. Now, he's writing books longer than mine!