Rick Riordan

Rick Riordan
Richard Russell "Rick" Riordan, Jr. is an American author known for writing the Percy Jackson & the Olympians series, which is about a twelve-year-old who discovers he is a son of Poseidon. His books have been translated into 37 languages and sold more than 30 million copies in the US. Twentieth Century Fox has adapted the first two books of his Percy Jackson series as part of a series of films. His books have spawned related media, such as graphic novels...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth5 June 1964
CountryUnited States of America
Who's the other kid in the photo?' he asked. 'The sandy-haired guy.' Annabeth's expression tightened. Touchy subject. 'That's Luke,' she said. 'He's dead now.
Zia turned toward us, her expression grim. “I will show you to your quarters. In the morning, your testing begins. We will see what magic you know, and how you know it.” I wasn’t sure what she meant by that, but I exchanged an uneasy look with Sadie. “Sounds fun,” Sadie ventured. “And it we fail this test?” Zia regarded her coldly. “This is not the sort of test you fail, Sadie Kane. You pass or you die.
Tell you what," I said. "After the testing after the Demon Days, when things settle down -" "Things won't settle down." "- I'm going to take you to the mall." She blinked. "The mall? For what reason?" "To hang out," I said. "We'll get some hamburgers. See a movie." Zia hesitated. "Is this what you'd call a 'date'?" My expression must have been priceless, because Zia actually cracked a smile. "You look like a cow hit with a shovel.
Facinating." He broke into a wide grin. "I've discovered something, Khufu. This is not Memphis, Egypt." Khufu gave me a sideways look, and I could swear his expression meant, Duh. "I've also discovered a new form of magic called blues music," the man continued. "And barbecue. Yes, you must try barbecue.
There!" Apollo pointed. "Long Island, dead ahead. Let's slow down, dear. 'Dead' is only an expression.
Annabeth recognized something else in her face, too - in the hard set of her mouth and the deliberate way she raised her chin like she was ready to accept any challenge. Reyna was forcing a look of courage, while holding back a mixture of hopefulness and worry and fear that she couldn't show in public. Annabeth knew that expression. She saw it every time she looked in a mirror.
He had no idea where the stereotype of dumb giggly blondes came from. Ever since he'd met Annabeth at the Grand Canyon last winter,when she'd marched toward him with that Give me Percy Jackson or I’ll kill you expression, Leo had thought of blondes as much too smart and much too dangerous.
I gave her a smile that I hoped conveyed something like: Hey, you know I’m on your side. Gods are such jerks! But what can you do? Probably my expression actually conveyed: It’s not my fault! Please do not kill me!
We got an expression ride back to the palace of Hades. Nico sent word ahead, thanks to some ghost he summoned out of the ground, and within a few minutes the Three Furies themselves arrived to ferry us back. They weren't thrilled about lugging Bob the Titan, too, but I didn't have the heart to leave him behind, especially after he noticed my shoulder wound, said, "Owie", and healed it with a touch.
Suddenly his expression turned to alarm. He sprinted toward us. For a moment I had an absurd vision of myself on the cover of one of Gran’s old romance novels, where the damsel wilts into the arms of one half-dressed beefy guy while another stands by,casting her longing looks. Oh, the horrible choices a girl must make! I wished I’d had a moment to clean up. I was still covered in dried river muck, twine, and grass, like I’d been tarred and feathered. Then Anubis pushed past me and gripped Walt’s shoulders. Well…that was unexpected.
Even if these stories are 3,000 years old, there's still so much about the characters, about the dilemmas, about their understanding of the universe that still resonates. The whole idea of order and chaos, which is really central to the ancient Egyptian understanding of the world, is still very much with us.
Every child is different. I think it's important that we don't have maybe just one or two books that we're recommending to all children - but rather we cater the books to fit each individual child.
I tend to think of a myth and then explore how it would play out if it were happening in the modern-day world. I modify all the myths I use, but I stick very closely to their structure - it is the hidden teacher in me.
I think children love reading, and they will make time for it if we put the right books into their hands. And I hope I get the chance to keep being one of the people that writes them.