Rick McCallum

Rick McCallum
Richard "Rick" McCallumis a German-born American film producer. He is mostly known for his work on The Young Indiana Jones Chronicles as well as the Star Wars Trilogy: Special Edition and prequel trilogy. He is best known for his frequent collaborations with American producer George Lucas, though he was also a long-time producer for British television playwright Dennis Potter...
ProfessionFilm Producer
Date of Birth22 August 1954
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Most people just want to see the movie, ... But for us, as with The Lord of the Rings, the freaks and geeks are fascinated by the creative process, and we try to demystify it for them.
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When you make a lot of movies, some of them don't work. So when something does work and people are genuinely moved and you have 150 million people worldwide seeing a movie, believe me, it feels good and you want to snatch those victories from the air and hold onto them as long as you can, ... It just doesn't happen very often in the film business no matter whose career it is.
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There are a group of people out there who are fascinated by the very creative process of what it's like to put all this s--- together, to change things and see the impact those changes have, ... It's like the extended versions of 'The Lord of the Rings.' One of the great things about having conversations with Peter Jackson about it, was finding out, that, people who didn't like 'Lord of the Rings,' particularly, liked it a lot more in the extended versions because everything made more sense for them. Once they saw the version of the film that he never had the time to play with, or the opportunity to actually show, it suddenly becomes a real experience.
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We shot so fast, so relentlessly, that I don't think we had any funny moments where people flubbed lines or stunts went wrong, ... We do 50 (scene) setups a day. That focuses people in a different way.
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He loves his wife so much that he thinks he is doing something to protect and save her, ... But what he's really doing is he's getting addicted to power. The more power he gets the more he wants and then once you do that, there's nothing left because you're willing to sacrifice everything. At the end of the day, Anakin sacrifices his family. He does fulfill his destiny after another 25 years and lets his son live and basically dies redeeming himself. But he goes through a lot of s--- and causes a lot of pain to people for a long time.
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There's so many people that are interested in film and especially in terms of the technology side of film, that suddenly the fruits of everybody's labor is really starting to manifest itself all across the planet.
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The only way I can stop people from stealing is also not to steal myself, and it's one of the most difficult things.
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Most people who love movies and kind of understand the process realize that if you do a character like Gollum or Jar Jar or any major digital character, that costs twice as much as having Tom Cruise in a movie.
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We're working on two Star Wars TV series, so it's not over yet, ... I also have a feeling that, since George loves to tinker with his films, one day when I'm old he'll wake me and say (speaks in an old voice), 'It's time to rework Star Wars ? one ... more ... time. ' At least, that's my nightmare.
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On a massive, huge film like 'Titanic' you might have 450 (or) 500 shots. This has just over 2,000. So virtually, it's a total-digital movie.
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I'm amazed nobody's had a problem with that whatsoever, ... They can all identify with that. It's like your mother having cancer or your sister being hit by a car -- there are so many things subliminally in people's lives that make them relate to him, but it was a very tough concept on paper to get through.
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There is a common misconception about Star Wars that we shoot everything on blue screen. We actually built 72 really large sets on the film but, because there are so many different planets, there is always some part of the sequence that has blue screen in it.
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We thought about it, ... One of our assistant editors did the dialogue that George wrote for him. It was one line. It was never during shooting, but in post-production. He did a little Liam sound-alike but it just didn't work, (the scene) was more powerful without it. There was so much buzz about it on the Internet that Liam actually called me to find out if there was any truth to it. I said, 'No, we're going to do it without you this time.' You could feel that there was a presence of him there.
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That's such s---, I promise you, ... I know there's one line -- 'You're either with me or you're against me' -- that echoes something. But that was actually in the script way before it even became a nightmare that it was possible that Bush could become president. That line has been echoed since the beginning of time.