Richard Flanagan
Richard Flanagan
Richard Miller Flanaganis an Australian novelist from Tasmania. "Considered by many to be the finest Australian novelist of his generation", according to The Economist, each of his novels has attracted major praise and received numerous awards and honours. He also has written and directed feature films. He won the 2014 Man Booker Prize...
NationalityAustralian
ProfessionNovelist
CountryAustralia
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A novel is a journey into your own soul, and you seek there to discover those things that you share with all others.
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I think all novels are contemporary. When people went to see 'Antony-Cleopatra' at the Globe in the 16th century, they were not going to get a history lesson on the Roman Empire. It was about love, sex, and also about dynastic troubles.
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Writing my novel 'The Narrow Road to the Deep North,' I came to conclude that great crimes like the Death Railway did not begin with the first beating or murder on that grim line of horror in 1943.
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After writing a novel, what is there to say? If a novelist could say it in a maxim, they wouldn't need 120,000 words, several years and sundry characters, plots and subplots, and so on. I'd much rather listen always.
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God gets the great stories. Novelists must make do with more mundane fictions.
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Rainer Maria Rilke was admittedly not a Dockers tagger, but a sort of European equivalent: a German poet - in many respects, a charlatan masquerading as a genius who turned out to be a genius.
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Black Saturday reminded many Australians of what they know only too well: that of all the advanced economies, Australia is perhaps the one most vulnerable to climate change.
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The survival of extraordinary creatures such as the giant Tasmanian freshwater crayfish - the largest in the world - is in doubt because of logging.
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Everything about The Bradshaws is controversial, fluid, uncertain: their age - perhaps 30,000 years old, perhaps older, perhaps more recent - who painted them, what they mean.
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War stories deal in death. War illuminates love, while love is the greatest expression of hope, without which any story rings untrue to life. And to deny hope in a story about such darkness is to create false art.
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I was one of six kids; my grandmother lived with us. We had an aunt who used to have nerves, and all her kids would turn up and live with us.
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I was born too late and missed the dream of empire. Its shadow, the Commonwealth, coincides with my life but rarely connected with it.
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You can be very successful but still struggling financially, and it looked like I'd have to take a year or two off and find whatever menial labouring work you can get as a middle-aged, unskilled bald man.
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Unlike some mainland black groups, Tasmanian Aborigines now have no traditional tribal culture left. It was taken from them with great violence and great rapidity.