Rich Sommer
Rich Sommer
Richard Olen "Rich" Sommer IIis an American actor, best known for his portrayal of Harry Crane on the AMC drama series Mad Men. He is also known for his roles in the comedy-drama films The Devil Wears Prada, Celeste and Jesse Forever, The Giant Mechanical Man, and Hello, My Name Is Doris...
NationalityAmerican
ProfessionMovie Actor
Date of Birth2 February 1978
CityToledo, OH
CountryUnited States of America
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I was a temp for three years in New York when I was auditioning; when I was cast in 'Mad Men,' I was still a temp. I'm good at making copies; I'm good at typing things. I'm good at killing the day and making it look like I'm doing something.
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I don't know if it's the sunshine, or the fact that I actually have a job, but I do like L.A. a lot. In New York, it can be gray and rainy and cold, and you still don't have any money, and you feel like a bad Dickens character.
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The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got The Devil Wears Prada, and its why I even got in the door for Mad Men.
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Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.
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For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'
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The worst job I ever had was as a telemarketer for, oh, I don't know, I think I made it about 90 minutes. I quit before lunch. I went in around 10:30 or 11 and said, 'I can't do this.' It was horrific. I had too many people yell at me within that 90 minutes to be able to continue.
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The work that I've gotten in the hiatuses seems to indicate that I will have a little more work after 'Mad Men' than I did when I was scraping by while I was temping in New York, but who knows? People very easily could be like, 'Meh, we're done with that. We've got Jon Hamm. We're good without the weird one with glasses.'
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I wonder if games are maybe a terminus for ideas. Things can be books or movies or operas or plays, but once they're a game, that's where they should end. Things shouldn't start as games and be taken to movies.
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I would be lucky to be remembered as Harry Crane. That being said, I think it's a goal for most actors to have the opportunity to play a variety of characters, so I hope any non-'Mad Men' role feels as separate as possible from Harry.
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I think not every improviser is a good stage actor. Certainly not every stage actor is a good improviser.
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So what's so enticing about doing a play is that you get to do that thing that got you into acting in the first place... There's a real attraction to being able to play, to just play. And that's something that theater affords you.
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I'll usually stay up a little later than my wife and play Xbox, a little 'Modern Warfare 3.' Or I'll have a friend over, and we'll play board games until late at night. I'll always choose fun over sleep.
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I am a board game enthusiast, a board game evangelist, a board game nerd, but I wouldn't say I'm 'keen' because I very rarely win, and 'keen' suggests you're actually good at something. But I do play a lot of them, and I have a pretty good-sized collection.
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I'm pretty quick to delete something off of my phone if it's become obsolete. And things like RSS readers have made life easier - all of the headlines are going to be related to a topic I'm interested in.