Rem Koolhaas
Rem Koolhaas
Remment Lucas "Rem" Koolhaasis a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. Koolhaas studied at the Architectural Association School of Architecture in London and at Cornell University in Ithaca, New York. Koolhaas is the founding partner of OMA, and of its research-oriented counterpart AMO based in Rotterdam, the Netherlands. In 2005, he co-founded Volume Magazine together with Mark Wigley and Ole Bouman...
NationalityDutch
ProfessionArchitect
Date of Birth17 November 1944
CityRotterdam, Netherlands
Miami Beach is a completely interesting hybrid because it is, on the one hand, a resort and, on the other hand, a real city. This condition of city and water on two sides I think is really amazing. And in the heart of that city, it has put an enormous convention center, an enormous physical presence.
The real thing we tried to look at is what happens to a society when the state is absent. At that point, the state had really withdrawn from Lagos; the city was left to its own devices, both in terms of money and services. That, by definition, created an unbelievable proliferation of independent agency: each citizen needed to take, in any day, maybe 400 or 500 independent decisions on how to survive that extremely complex system.
The acceptance of certain realities doesn't preclude idealism. It can lead to certain breakthroughs.
In this branch of utopian real estate, architecture is no longer the art of designing buildings so much as the brutal skyward extrusion of whatever site the developer has managed to assemble.
That has been my entire life story. Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs.
The work in S,M,L,XL was almost suicidal. It required so much effort that our office almost went bankrupt.
It's a weird city because the uglier the weather, the more beautiful the city. And the uglier the buildings, the more coherent the city.
We felt it was very important for an entity like CCTV to make its presence felt... To generate a space and to define a space, that is the main thing.
One of our theories is that one can offset this excessive compulsion toward the spectacular with a return to simplicity.
The intellectual force of the West is still dominant, but other cultures are getting stronger. I expect that we will develop a new way of thinking in architecture and urban planning, and that less will be based on our models.
Manhattan has no choice but the skyward extrusion of the Grid itself; only the Skyscraper offers business the wide-open spaces of a man-made Wild West, a frontier in the sky.
The luxury of our position now is that we can almost assemble any team to address any issue.
I wanted to disconnect from contemporary architecture
Manhattan is an accumulation of possible disasters that never happen.