Rebecca West

Rebecca West
Dame Cicely Isabel Fairfield DBE, known as Rebecca West, or Dame Rebecca West, was a British author, journalist, literary critic and travel writer. An author who wrote in many genres, West reviewed books for The Times, the New York Herald Tribune, the Sunday Telegraph, and the New Republic, and she was a correspondent for The Bookman. Her major works include Black Lamb and Grey Falcon, on the history and culture of Yugoslavia; A Train of Powder, her coverage of the...
NationalityIrish
ProfessionActivist
Date of Birth21 December 1892
CountryIreland
Rebecca West quotes about
But once a culture develops sufficiently to become skeptical, the idea of censorship becomes less attractive. To suppress a book or a picture or a sculpture or a play or a film is a terrible act of aggression against the artist who created it. This is a miming of capital punishment; it destroys the life that has been emanated by a life.
Art and propaganda have this much connection, that if a propaganda makes art impossible, it is clearly damned.
The delight we find in art amounts to recognition of a saving grace, to an acknowledgment that the problem of life has a solution implicit in its own nature, though not yet formulated by the intellect.
What is art? It is not decoration. It is the re-living of experience.
Art is not a plaything, but a necessity, and its essence, form, is not a decorative adjustment, but a cup into which life can be poured and lifted to the lips and be tasted.
whatever a work of art may be, the artist certainly cannot dare to be simple. He must have a nature as complicated and as violent, as totally unsuggestive of the word innocence, as a modern war.
Bad art is maintained by the neurotic, who is deadly afraid of authentic art because it inspires him to go on living, and he is terrified of life.
art is at least in part a way of collecting information about the universe.
There is no logical reason why the camel of great art should pass through the needle of mob intelligence.
works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.
A copy of the universe is not what is required of art; one of the damned things is ample.
There is a point, and it is reached more easily than is supposed, where interference with freedom of the arts and literature becomes an attack on the life of society.
I cannot see that art is anything less than a way of making joys perpetual.
every human activity, whether it be love, philosophy, art, or revolution, is carried on with a special intensity in Paris.