Raymond Chandler
Raymond Chandler
Raymond Thornton Chandlerwas a British-American novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime. All but Playback have been...
NationalityAmerican
ProfessionNovelist
Date of Birth23 July 1888
CityChicago, IL
CountryUnited States of America
The publishers and others should quit worrying about losing customers to TV. The guy who can sit through a trio of deodorant commercials to look at Flashgun Casey or swallow a flock of beer and loan-shark spiels in order to watch a couple of fourth-rate club fighters rub noses on the ropes is not losing any time from book reading.
If you liked a book, don't meet the author
A good title is the title of a successful book.
Let us never accept the point of view that mysteries are written by hacks. The poorest of us shed our blood over every chapter. The best of us start from scratch with every new book.
At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.
You can't tell a doper well under control from a vegetarian book-keeper.
They write them long because they can't write them short.
The flood of print has turned reading into a process of gulping rather than savoring.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
As it is she will probably turn out to be one of these acid-faced virgins that sit behind little desks in public libraries and stamp dates in books.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.
When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
Common sense always speaks too late. Common sense is the guy who tells you ought to have had your brakes relined last week before you smashed a front end this week. Common sense is the Monday morning quarterback who could have won the ball game if he had been on the team. But he never is. He's high up in the stands with a flask on his hip. Common sense is the little man in a gray suit who never makes a mistake in addition. But it's always somebody else's money he's adding up.