Ray Harryhausen
Ray Harryhausen
Raymond Frederick "Ray" Harryhausenwas an American visual effects creator, writer, and producer who created a form of stop-motion model animation known as "Dynamation."...
NationalityAmerican
ProfessionOther
Date of Birth29 June 1920
CityLos Angeles, CA
CountryUnited States of America
american-director entertainment films glad people
So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational.
american-director
I was never restricted. I was never told what to do.
american-director limited
I was very limited in what I could do with flying saucers, because they're just a metal disc. I had to try and put character in as if they were intelligently guided.
director effects european imagine laid laying otherwise picture price ready special until worked
I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.
class columbia field frank kodak pictures professor signed
I was going to Columbia Pictures and Eastman Kodak had a class going for cameramen. I signed up to be a field cameraman. I showed this film to my professor and he showed it to Frank Capra.
american-director felt full
Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
american-director looked people point work
A lot of people thought my work was very tedious, and it can be if you look at it from that point of view, but I never looked upon it as tedious.
alone american-director prefer work
I prefer to work alone and do everything alone, even today.
american-director eighty listed people
I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.
stories animation
I brought in the stories many times. I don't just do animation.
photography art school
I took courses at USC in film editing and art direction and photography when I was still in high school.
action scene stage
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
believe fighting past
You could believe that Sinbad could fight a skeleton because that's from a period in the past, a magical period. But if you had James Bond fighting a skeleton, it'd be almost comical.
patience people directors
That's why I never became a director. I never had patience with people.