Rainer Maria Rilke

Rainer Maria Rilke
René Karl Wilhelm Johann Josef Maria Rilke—better known as Rainer Maria Rilke—was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets", writing in both verse and highly lyrical prose. Several critics have described Rilke's work as inherently "mystical". His writings include one novel, several collections of poetry, and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief,...
NationalityGerman
ProfessionPoet
Date of Birth4 December 1875
CountryGermany
So it's back once more, back up the slope. Why do they always ruin my rope with their cuts? I felt so ready the other day, Had a real foretaste of eternity In my guts. Spoonfeeding me yet another sip from life's cup. I don't want it, won't take any more of it. Let me throw up. Life is medium rare and good, I see, And the world full of soup and bread, But it won't pass into the blood for me, Just goes to my head. It makes me ill, though others it feeds; Do see that I must deny it! For a thousand years from now at least I'm keeping a diet.
To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness.
For our part, when we feel, we evaporate; ah, we breathe ourselves out and away; with each new heartfire we give off a fainter scent. True, someone may tell us: you're in my blood, this room, Spring itself is filled with you . . . To what end? He can't hold us, we vanish within him and around him.
They, who passed away long ago, still exist in us, as predisposition, as burden upon our fate, as murmuring blood, and as gesture that rises up from the depths of time.
Every intensification is good, if it is in your entire blood, if it isn't intoxication or muddiness, but joy which you can see into, clear to the bottom.
All feelings that concentrate you and lift you up are pure; only that feeling is impure which grasps just one side of your being and thus distorts you. Everything you can think of as you face your childhood, is good. Everything that makes more of you than you have ever been, even in your best hours, is right. Every intensification is good, if it is in your entire blood, if it isn't intoxication or muddiness, but joy which you can see into, clear to the bottom.
My blood is alive with many voices telling me I am made of longing.
And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves - not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
All the soarings of my mind begin in my blood.
He does not always remain bent over the pages; he often leans back and closes his eyes over a line he has been reading again, and its meaning spreads through his blood.
These soft nights hold me like themselves aloft and I lie without a lover.
...perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
Who if I cried out, would hear me among the angel's hierarchies?and even if one of them pressed me suddenly against his heart:I would be consumed in that overwhelming existenceFor beauty is nothing but the beginning of terror which we are still just able to endure.and we are so awed because it serenely disdains to annihilate us.
Whoever you are: some evening take a step out of your house, which you know so well. Enormous space is near.