Rabindranath Tagore
Rabindranath Tagore
Rabindranath Tagore FRAS, also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown...
NationalityIndian
ProfessionPoet
Date of Birth7 May 1861
CityKolkata, India
CountryIndia
The progress of our soul is like a perfect poem. It has an infinite idea which once realized makes all movements full of meaning and joy. But if we detach its movements from that ultimate idea, if we do not see the infinite rest and only see the infi
The best of us still have our aspirations for the supreme goals of life, which is so often mocked by prosperous people who now control the world. We still believe that the world has a deeper meaning than what is apparent, and that therein the human s
Want of love is a degree of callousness; for love is the perfection of consciousness. We do not love because we do not comprehend, or rather we do not comprehend because we do not love. For love is the ultimate meaning of everything around us. It is
Some have thought deeply and explored the meaning of thy truth, and they are great; I have listened to catch the music of thy play, and I am glad
I miss the meaning of my own part in the play of life because I know not the parts that others play
By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thout keepst me free. Lest I forgot them they never venture to leave me alone. But day passes by after day and thou art not seen. If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love.
It means that God's Creation has not its source in any necessity; it comes from his fullness of joy; it is his love that creates, therefore in Creation is his own revealment.
Our self (Soul) is maya (an illusion) where it is merely individual and finite, where it considers its separateness as absolute; it is satyam (truth) where it recognizes its essence in the universal and infinite, in the Supreme Self, in paramatman (God). This is what Christ means when he says, "Before Abraham was, I am" (i.e. before Abraham was God, who is the same that is in my soul - I am That.)
Yet what each one does is by no means of little moment. The grass has to put forth all its energy to draw sustenance from the uttermost tips of its rootlets simply to grow where it is as grass; it does not vainly strive to become a banyan tree; and so the earth gains a lovely carpet of green.
If someone smells a flower and says he does not understand, the reply to him is: there is nothing to understand, it is only a scent. If he persists, saying: that I know, but what does it all mean? Then one has either to change the subject, or make it more abstruse by saying that the scent is the shape which the universal joy takes in the flower.
The smile that flickers on baby's lips when he sleeps- does anybody know where it was borne? Yes, there is a rumor that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born . . . .
Things are distinct not in their essence but in their appearance; in other words, in their relation to one to whom they appear. This is art, the truth of which is not in substance or logic, but in expression. Abstract truth may belong to science and
The revilement of the infinite in the finite, which is the motive of all creation, is not seen in its perfection in the starry heavens, in the beauty of the flowers. It is in the soul of man.
We do not raise our hands to the void for things beyond hope.