Rabindranath Tagore
Rabindranath Tagore
Rabindranath Tagore FRAS, also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown...
NationalityIndian
ProfessionPoet
Date of Birth7 May 1861
CityKolkata, India
CountryIndia
Music is the purest form of art... therefore true poets, they who are seers, seek to express the universe in terms of music... The singer has everything within him. The notes come out from his very life. They are not materials gathered from outside.
Obstacles are necessary companions to expression, and we know that the positive element in language is not in its obstructiveness. Exclusively viewed from the side of the obstacle, nature appears inimical to the idea of morality. But if that were abs
Man's cry is to reach his fullest expression.
Gross utility kills beauty. We now have all over the world huge production of things, huge organizations, huge administrations of empire - all obstructing the path of life. Civilization is waiting for a great consummation, for an expression of its so
We believe that mere movement is life, and that the more velocity it has, the more it expresses vitality.
In the dualism of death and life there is a harmony. We know that the life of a soul, which is finite in its expression and infinite in its principle, must go through the portals of death in its journey to realize the infinite. It is death which is m
All men have poetry in their hearts, and it is necessary for them, as much as possible, to express their feelings. For this they must have a medium, moving and pliant, which can refreshingly become their own, age after age. All great languages undergo change. Those languages which resist the spirit of change are doomed and will never produce great harvests of thought and literature. When forms become fixed, the spirit either weakly accepts its imprisonment or rebels. All revolutions consists of the "within" fighting against invasion from "without"... All great human movements are related to some great idea.
Religion, like poetry, is not a mere idea, it is expression. The self-expression of God is in the endless variety of creation; and our attitude toward the Infinite Being must also in its expression have a variety of individuality ceaseless and unendi.
Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time and space, restlessly pursuing its adventure of expression in the varied forms of self-realization.
Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one and simple, and least encumbered with anything extraneous. We seem to feel that the manifestation of the infinite in the finite forms of creation is music itself, silent and visible.
Truth cannot afford to be tolerant where it faces positive evil.
The progress of our soul is like a perfect poem. It has an infinite idea which once realized makes all movements full of meaning and joy. But if we detach its movements from that ultimate idea, if we do not see the infinite rest and only see the infi
The question why there is evil in existence is the same as why there is imperfection... But this is the real question we ought to ask: Is this imperfection the final truth, is evil absolute and ultimate?
We gain freedom when we have paid the full price for our right to live.