Quentin Tarantino
Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
I don't want to be an old-man filmmaker, making old-man movies, and I don't want to be the one not to know when to leave the party.
I didn't want my script to get too out of control like that. So I actually made it a point not to do stuff like that, to pretty - to keep it more sparse than it's been in the last few years, or the last decade.
I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff.
I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.
ou know, if you want to see jackbooting Nazis in movies, you've got to watch American movies made at that time.
When I make a movie, I want it to be everything to me; like I would die for it.
I've always wanted to work with Warren Beatty.
I want do a Mandarin language movie. It'll probably be the next movie I do after the one I do next.
Critics don't want to see directors they like make too much of a left turn. That's good for criticism.
Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.
I want to top expectations. I want to blow you away.
I don't want to deal with the underneath while I'm, you know, while I'm making it or when I'm writing it or when I'm making it, because again, I don't want to hit these nails on the head too strongly.
I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.
Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.