Quentin Tarantino
Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
It's my job to look at other people's humanity and it's my job to, 24/7, look at my life and listen to everything everyone says, watching their faces, the little idiosyncratic aspects of human beings - it's like a sponge, I take it in.
I don't judge my characters, and that's my job not to judge them. It's my job to treat them with respect and to just look at it from their point of view.
Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
It's nice to get invited to the parties and to be able to hobnob and celebrate a job well done with your colleagues.
In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
When you gotta go out and make a movie to pay for the kid's private school and for the three ex-wives, don't talk to me about your artistry. It's their job. It's not my job. It's my calling.
I don't judge my characters, and that's my job not to judge them.
If I'm doing my job right, then I'm not writing the dialogue; the characters are saying the dialogue, and I'm just jotting it down.
Ben Affleck, he looked like a little girl! When I saw Ben Affleck and Dave Spade acting like little girls, I said I got this one. I'm all good. I don't have to worry about nothing. ... That part that was in the wall, that was the bomb.
Ben Affleck, he looked like a little girl!,
Tell you what. Next time I do a movie, you can drive me to the set.
I wasn't familiar with him, and I thought the scene was too brutal for the song. So what do I know?
I don't think it's a stretch. I always knew Johnny was a good actor. But also, when you're looking for the ultimate, charming, redneck-scoundrel rascal, I think Johnny's the go-to guy.