Quentin Tarantino
Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.
But the idea of using the Apache resistance, one, it works effective to actually get German soldiers to think of Jews that way. You know, and they're not just any Jews. They're the American Jews. They're Jews with entitlement.
I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
I always thought it was a B.S. thing that they didn't show it [scalping] in other Westerns, but especially if you're going to really go with the idea that we're desecrating the bodies, and the idea is to strike fear in the hearts of other German soldiers, then we had to see what they're talking about.
And by banning [smartphones] from the set, the whole crew tends to work tighter with each other. And then it just becomes a thing where people kind of fall in love with the idea, 'This is the film-industry that I signed up for! This is really wonderful.' But then they go back to another set and everybody's on their cellphone, everyone's in their own little box, and they get depressed about it.
The good ideas will survive.
Ben Affleck, he looked like a little girl! When I saw Ben Affleck and Dave Spade acting like little girls, I said I got this one. I'm all good. I don't have to worry about nothing. ... That part that was in the wall, that was the bomb.
Ben Affleck, he looked like a little girl!,
Tell you what. Next time I do a movie, you can drive me to the set.
I wasn't familiar with him, and I thought the scene was too brutal for the song. So what do I know?
I don't think it's a stretch. I always knew Johnny was a good actor. But also, when you're looking for the ultimate, charming, redneck-scoundrel rascal, I think Johnny's the go-to guy.
The fact that England has embraced me as one of its own is really cool,