Pico Iyer
Pico Iyer
Siddharth Pico Raghavan Iyer, known as Pico Iyer, is a British-born essayist and novelist of Indian origin, best known for his travel writing. He is the author of numerous books on crossing cultures including Video Night in Kathmandu, The Lady and the Monk and The Global Soul. An essayist for Time since 1986, he also publishes regularly in Harper's, The New York Review of Books, The New York Times, and many other publications...
NationalityIndian
ProfessionWriter
CountryIndia
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What I treasure most at any moment is intimacy, surprise, a sense of mystery, wit, depth and love. A handful of cherished friends offer me this, and the occasional singer or film-maker or artist. But my most reliable sources of electricity are Henry David Thoreau, Shakespeare, Melville and Emily Dickinson.
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I'm no Buddhist monk, and I can't say I'm in love with renunciation in itself, or traveling an hour or more to print out an article I've written, or missing out on the N.B.A. Finals. But at some point, I decided that, for me at least, happiness arose out of all I didn't want or need, not all I did.
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None of the things in life - like love or faith - was arrived at by thinking; indeed, one could almost define the things that mattered as the ones that came as suddenly as thunder.
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Travel, for me, is a little bit like being in love, because suddenly all your senses are at the setting marked “on.
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The ultimate purpose of Zen,' I remembered the roshi telling me, 'is not in the going away from the world but in the coming back. Zen is not just a matter of gaining enlightenment; it's a matter of acting in a world of love and compassion.
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Going nowhere isn’t about turning your back on the world; it’s about stepping away now and then so that you can see the world more clearly and love it more deeply.
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All good trips are, like love, about being carried out of yourself and deposited in the midst of terror and wonder.
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We travel, in essence, to become young fools again - to slow time down and get taken in, and fall in love once more.
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And if travel is like love, it is, in the end, mostly because it's a heightened state of awareness, in which we are mindful, receptive, undimmed by familiarity and ready to be transformed. That is why the best trips, like the best love affairs, never really end.
travel falling-in-love taken
We travel, initially, to lose ourselves; and we travel, next to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again- to slow time down and get taken in, and fall in love once more.
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You need to rebel to see the other options and to get a much richer, fuller sense of the world. And it's only once you've worked through that and seen through that that you can come back and accept who you are. You have to try all the other options.
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You can only make sense of the online world by going offline and by getting the wisdom and emotional clarity to know how to make the best use of the Internet.
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We all know how we can be turned around by a magic place; that's why we travel, often. And yet we all know, too, that the change cannot be guaranteed. Travel is a fool's paradise, Emerson reminded us, if we think that we can find anything far off that we could not find at home.
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The recipe to an unhappy life in Japan is to want to be Japanese if you are not. Anyone who wants to penetrate the country is setting themselves up for tears and disappointment.