Philip Pullman
Philip Pullman
Philip Pullman CBE, FRSLis an English writer. He is the author of several best-selling books, most notably the fantasy trilogy His Dark Materials and the fictionalised biography of Jesus, The Good Man Jesus and the Scoundrel Christ. In 2008, The Times named Pullman one of the "50 greatest British writers since 1945"...
NationalityBritish
ProfessionYoung Adult Author
Date of Birth19 October 1946
lying reality oxford
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
memories real eye
No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much...
real lying writing
My only real claim to anyone's attention lies in my writing
teacher real believe
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
christian real book
I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book.
books feed genuine nourish satisfy truth
Books which satisfy us and feed us and nourish us have to have this substratum of genuine truth in them, ... And I don't see much of that in most fantasy.
answers bully fighting reasons response
Fighting isn't the right response to bullying-for adults. Adults have to find out what makes the bully the way he is and look for reasons and answers and understanding. That's an adult's responsibility.
alive central space watching
It's not like watching TV; it's not even like watching a film in a cinema. Everyone in that big space is alive and everyone is focussed on one central activity.
human learn
For a human being, nothing comes naturally. We have to learn everything we do.
absence christian doctrine object presence
It's not the presence of Christian doctrine I object to so much as the absence of Christian virtue,
audience children experience fresh opera performed run simply theatre
The experience of being in the audience when a play or an opera is being performed is not simply passive. Children need to go to the theatre as much as they need to run about in the fresh air.
bang begin slap telling troubles whenever
And before I'd got to the end of the first paragraph, I'd come up slap bang against a fundamental problem that still troubles me today whenever I begin a story, and it's this: where am I telling it from?
adam calculate cannot eve imaginary imagined include minus square
Adam and Eve are like imaginary numbers, like the square root of minus one... If you include it in your equation, you can calculate all manners of things, which cannot be imagined without it.
adam calculate cannot eve god imaginary imagined include manners minus root square
Adam and Eve are like imaginary number, like the square root of minus one... If you include it in your equation, you can calculate all manners of things, which cannot be imagined without it.