Petra Haden

Petra Haden
Petra Hadenis an American violinist and singer. She is or has been a member of several bands, including That Dog, Tito & Tarantula, and The Decemberists; has contributed to recordings by The Twilight Singers, Beck, Mike Watt, Luscious Jackson, Foo Fighters, Green Day, Weezer, The Rentals, Victoria Williams, Yuka Honda, The Gutter Twins, and Cornelius. She is the daughter of the jazz bassist Charlie Haden; the triplet sister of bassist Rachel Hadenand cellist Tanya Hadenwith whom she has performed as...
NationalityAmerican
ProfessionMusician
Date of Birth11 October 1971
CountryUnited States of America
My forte is playing along and singing along to music I love. I mean, who knows, maybe I could develop that knack or develop that ability to write, and I do actually co-write with people and friends, which is fun, too, because then I don't have to worry about writing lyrics, because for me writing lyrics is impossible.
I got a new 4-track cassette recorder a year or so after high school. For a while I would just stare at it thinking, how am I going to do this if I don't play guitar or keyboards? How am I going to write and record a song if I don't know how to play any instruments? I mean, I played the violin, but I didn't know anything about how to work a 4-track.
When I was recording my first solo album 'Imaginaryland,' I was listening to a lot of movie scores.
'The Conversation' was a movie I saw probably for the first time in the early 2000s. I immediately loved the piano and just how simple it is.
I wish I finished music school, because then I feel like I could talk more about the dissonant notes.
The bass line is the anchor for me. I started with the bass, and either doubled that and then added the harmonies, or sometimes added my own harmonies that I've always wanted to sing on the song. And then it just went on from there - singing violin parts and trumpet parts and just trying to emulate the sounds of the instruments.
That's what I love about those old movies - the music is like a constant companion. Even in scenes that aren't particularly dramatic, like a woman checking her watch, you hear the music as a comment on that action.
Old film-noir movies. There's something comforting about watching black-and-white movies, and hearing this kind of music just puts me in a fantasy world. It's a really great escape for me.
I didn't know who Meredith Monk was, and I knew about Laurie Anderson but I didn't know her music that well.
When we were on breaks from recording and touring, I was kind of moping around, like not knowing what to do. It was hard to adjust back to normal life after being so busy.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
I didn't know how write a song, (verse, chorus, verse, chorus, bridge, chorus, bridge, verse), etc., and I didn't know how to write lyrics, so that's when I thought, well, I don't have to write a song with all those verses and choruses or lyrics. I can just sing everything the way I want to. So I sang all the instruments with my voice and just went with it.
People are born with the knack to write poems and songs. I'm not a poet at all.
You have to be a poet to know how to write a song with lyrics.