Peter Straub

Peter Straub
Peter Francis Straubis an American novelist and poet. His horror fiction has received numerous literary honors such as the Bram Stoker Award, World Fantasy Award, and International Horror Guild Award...
NationalityAmerican
ProfessionNovelist
Date of Birth2 March 1943
CountryUnited States of America
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My father soon began taking me, then my brothers and me, to our local public library, which allowed a maximum withdrawal of six books at a time.
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I want to make discoveries, I want the book to evolve out of itself, because if I try to impose my own pattern on it I'll miss everything.
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Each new book is a tremendous challenge.
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These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.
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Ideally, I would create a book so interdependent and self-sustaining in its parts, so wondrously connected word by word and paragraph by paragraph, so charged with the joy of language, that it would actually float three or four inches above any table where you try to set it down.
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When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.
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There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.
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As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.
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Dick Dart emerged from the ether during a flight from New York with my wife and children to Puerto Rico.
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Marriages was written at the rate of 500 words a day, without any sort of plan, outline or guidelines beyond the simple desire to write a novel.
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Milwaukee was a fascinating place. When I was a kid, it was basically a blue-collar, factory kind of town, lots of bars, lots of fights.
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I instantly chucked my academic ambitions and began writing fiction full-time.
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The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.
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Nobody can protect anybody else from vileness. Or from pain. All you can do is not let it break you in half and keep on going until you get to the other side.