Peter Carey
Peter Carey
Peter Philip Carey AOis an Australian novelist. Carey has won the Miles Franklin Award three times and is frequently named as Australia's next contender for the Nobel Prize in Literature. Carey is one of only four writers to have won the Booker Prize twice—the others being J. G. Farrell, J. M. Coetzee and Hilary Mantel. Carey won his first Booker Prize in 1988 for Oscar and Lucinda, and won for the second time in 2001 with True History of the...
NationalityAustralian
ProfessionNovelist
Date of Birth7 May 1943
CountryAustralia
Our prime minister could embrace and forgive the people who killed our beloved sons and fathers, and so he should, but he could not, would not, apologise to the Aboriginal people for 200 years of murder and abuse. The battle against the Turks, he said in Gallipoli, was our history, our tradition. The war against the Aboriginals, he had already said at home, had happened long ago. The battle had made us; the war that won the continent was best forgotten
I don't need new boots I got bluchers back down home. Eff the effing bluchers I'll buy you new adjectival effing elastic sided boots.
It did not occur to me that I might be a writer until I flunked out of my first year as a chemistry major, and found work as an apprentice writer of Volkswagen ads.
I like how they are. I think they're great. And their communities are communities. I have a greater sense of community in New York than almost anywhere I've ever lived. Really, it's terrific.
I thought that that was a really Australian story. And I wasn't mad at Dickens about that at all. I thought that seemed like us, in all sorts of ways.
I have never begun a novel which wasn't going to stretch me further than I had ever stretched before.
You could not tell a story like this. A story like this you could only feel.
One has to be able to twist and change and distort characters, play with them like clay, so everything fits together. Real people don't permit you to do that.
So in the first draft, I'm inventing people and place with a broad schematic idea of what's going to happen. In the process, of course, I discover all sorts of bigger and more substantial things.
The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.
What I find really attractive is something that's going to be a little dangerous. Something that might get me into trouble; you know, you turn up in London and you've just rewritten Dickens. And, of course, then you think, 'What have I done?
Glass is a thing in disguise, an actor, is not solid at all, but a liquid?an old sheet of glass will not only take on a royal and purplish tinge but will reveal its true liquid nature by having grown fatter at the bottom and thinner at thetop, and? It isinvisible, solid, in short a joyous and paradoxical thing, asgood a material as any tobuild a life from.
Writers are always envious, mean-minded, filled with rage and envyat other's good fortune. There is nothing like the failure of a close friend to cheer us up.
Writers, at least writers of fiction, are always full of anxiety and worry.