Peter Capaldi
Peter Capaldi
Peter Dougan Capaldiis a Scottish actor, writer and director, best known for being the twelfth and current actor to play the title role in the long-running BBC One sci-fi series Doctor Who. He has played numerous roles in film and television including the role of Malcolm Tucker, a spin doctor in the BBC comedy series The Thick of It and its film spinoff In the Loop, for which he has received four British Academy Television Award nominations, winning Best Male...
NationalityScottish
ProfessionTV Actor
Date of Birth14 April 1958
CityGlasgow, Scotland
The biggest problem of all is that it's very difficult to tell my daughter, 'Swearing is not clever or funny,' because I earn a living by swearing.
The biggest thing I have realized was that you have to choose your collaborators very carefully, and that not everybody can like you. The process of filmmaking is so difficult, there's no point in doing it unless you can do it the way you want.
I hated improvisation because in my early days as an actor, improvisation meant somebody had just come down from Oxford and they were doing a play above a pub in Kentish Town, and the biggest ego would win.
The difference between movies and TV is that in TV you have to have a trauma every week, but that event may not be the biggest event in the characters' lives.
When I was acting, I was always asking abut the mechanics of filmmaking. I decided I would learn what everyone on set was doing, so I would feel less threatened.
What's now shocking is I can't say anything publicly without it having a life. Not because I have extraordinary views but because people are keen on conflict, so they'll make that the story.
Recently, I dreamed that I returned home to find my wife had married Ray Winstone. They were kind and let me stay, but the whole thing was awkward.
I was initially rather charmed by David Cameron, but I think he's revealing himself to be a slightly darker and less charismatic figure than he first appeared. There's a brutality about him.
I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
I think the truth is always interesting, but with politicians, you don't get to see much of that.
I think the whole spoiler thing has taken over the media.
My parents didn't take me to the theatre to see Chekhov when I was growing up - we went to see 'Francie and Josie' once every five years.
The Americans just have a great sort of wit about them.
My childhood growing up in that part of Glasgow always sounds like some kind of sub-Catherine Cookson novel of earthy working-class immigrant life, which to some extent it was, but it wasn't really as colourful that.