Pete Townshend
Pete Townshend
Peter Dennis Blandford "Pete" Townshendis an English musician, singer, songwriter, and multi-instrumentalist, best known as the lead guitarist and songwriter for the rock band The Who. His career with the Who spans more than 50 years, during which time the band grew to be considered one of the most influential bands of the 20th century...
NationalityBritish
ProfessionGuitarist
Date of Birth19 May 1945
CityLondon, England
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Link is a quiet man to meet- easy and courteous. His music, though, betrays that deep inside he gets very very mean very often. I remember being made very uneasy the first time I heard Rumble , and yet very excited by the guitar sound. And his voice! He sounds like a cross between Jagger and Van Morrison, even sometimes like Robbie Robertson. We met him in New York in 1970 while recording Who's Next.... this later inspired the b-side Wasp Man, a tune we dedicated to Link Wray.
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Beach is a place where a man can feel he's the only soul in the world that's real.
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As a young man, every bone in my body wanted to pick up a machine gun and kill Germans. And yet I had absolutely no reason to do so. Certainly nobody invited me to do the job. But that's what I felt that I was trained to do. Now no part of my upbringing was militaristic.
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Rumors went round that I might be gay. In some ways, I was happy w/ this. Larry Rivers proved to me that a gay man could be wild, attractive, and courageous; in any case one's sexuality was becoming less of an issue every day. One of the great things about the British Mod movement was that being macho was no longer the only measure of manhood.
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Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.
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Man makes machines to man the machines that make the machines.
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I know how it feels to be a woman because I am a woman. And I won't be classified as just a man.
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I simply believe we have a duty to go on, to ourselves, ticket buyers, staff, promoters, big and little people. I also have a duty to myself and my dependent family and friends. I also want to help guide Roger and the rest of the band at this time, all of whom have been shaken by John's death.
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I think I may have been sexually abused as a child and I was doing research into it
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I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
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What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say.
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To be completely honest, I think if I hadn't been bullied into the band, I would have been happier as an art student. I would have been happier in a Brian Eno world.
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I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally.
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I didn't start to collect records and listen to guitar players properly until I went to art school, when I'd already been playing for five years. So my style was already formed, and that's why I think it's so unique.