Pedro Almodovar
Pedro Almodovar
Pedro Almodóvar Caballero is a Spanish film director, screenwriter, producer and former actor. He came to prominence as a director and screenwriter during La Movida Madrileña, a cultural renaissance that followed the death of Spanish dictator Francisco Franco. His first few films characterised the sense of sexual and political freedom of the period. In 1986, he established his own film production company, El Deseo, with his younger brother Agustín Almodóvar, responsible for producing all of his films since Law of...
NationalitySpanish
ProfessionDirector
Date of Birth25 September 1949
CountrySpain
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.
I used this line to demonstrate how important colors are in movies: It's not a caprice.
You can make a thousand different movies about the same subject.
Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
But, although these films express many similar ideas from my previous films, I think they express these ideas in a different way.
Already when I was very young, I was a fabulador. I loved to give my own version of stories that everybody already knew.
With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner.
I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.