Pauline Kael
Pauline Kael
Pauline Kaelwas an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Earlier in her career, her work appeared in City Lights, McCall's and The New Republic...
NationalityAmerican
ProfessionJournalist
Date of Birth19 June 1919
CountryUnited States of America
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Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
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Reality, like God and History, tends to direct people to wherever they want to go.
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When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
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Writers who go to Hollywood still follow the classic pattern: either you get disgusted by 'them' and you leave or you want the money and you become them.
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The problem with a popular art form is that those who want something more are in a hopeless minority compared with the millions who are always seeing it for the first time, or for the reassurance and gratification of seeing the conventions fulfilled again.
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Where there is a will, there is a way. If there is a chance in a million that you can do something, anything, to keep what you want from ending, do it. Pry the door open or, if need be, wedge your foot in that door and keep it open.
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The words ""Kiss Kiss Bang Bang"" which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies
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The words ''Kiss Kiss Bang Bang,'' which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.
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says Lopez. ''They're right near where I live; and they have such a great film program over there it seemed a perfect place for it.
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Brando represented a reaction against the postwar mania for security. As a protagonist, the Brando of the early 50's had no code, only his instincts. He was a development from the gangster and the outlaw.
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I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
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The critic is the only independent source of information. The rest is advertising.
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The unwary Brando was made to look public ass No. 1. It was now open season on Brando.
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Just about the best Hollywood musical of all time.